tag:blogger.com,1999:blog-82448705348128960452024-03-21T07:52:23.840-07:00in pulverem reverterisinpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.comBlogger27125tag:blogger.com,1999:blog-8244870534812896045.post-75366163303083898172019-08-28T08:15:00.003-07:002019-08-28T08:15:51.601-07:00<br />
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<span style="font-size: x-large;"><b>LABORATOIRE DU GAI SAVOIR 1</b></span></div>
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<span style="font-size: x-large;"><b>d'après Têtes Rondes et Têtes pointues </b></span></div>
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<b><span style="font-family: "cambria" , serif;"><span style="font-size: large;"><span style="font-size: 21.33333396911621px;">Ada</span><span style="font-size: 21.33333396911621px;">ptation</span></span><span style="font-size: 16pt;"><span style="font-size: large;"> et Mise en scène : Danielle Bré</span><o:p></o:p></span></span></b></div>
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<span style="font-size: 16pt;">Assistanat à la dramaturgie : Mathilde Soulheban </span></div>
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<span style="font-family: "cambria" , serif;"><span style="font-size: 16pt;">attache de diffusion et de Production: </span><span style="font-size: 16pt;"> Romane Pineau<o:p></o:p></span></span></div>
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<span style="font-family: "cambria" , serif; font-size: 21.33333396911621px;"> Avec Bryce </span><span style="font-family: "cambria" , serif;"><span style="font-size: 21.33333396911621px;">Quetel, Mathieu </span></span><span style="font-family: "cambria" , serif; font-size: 21.33333396911621px;">Cipriani, </span><span style="font-family: "cambria" , serif;"><span style="font-size: 21.33333396911621px;">Sofy Jordan, Lauren Carla Lenoir, </span></span><br />
<span style="font-family: "cambria" , serif;"><span style="font-size: 21.33333396911621px;">Malte Schwind, Stina S</span></span><span style="font-family: "cambria" , serif;"><span style="font-size: 21.33333396911621px;">oliva</span></span></div>
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<b><span style="font-size: 14pt;">Ce </span>Laboratoire </b>n’est <b>pas l’anticipation d’une création mais une création en soi</b>, un spectacle <b>mettant théâtralement en partage l’expérience d’un matériau. </b>C’est la forme scénique qui nous parait aujourd’hui la plus adaptée à notre volonté, à notre liberté, à nos possibilités économiques et à notre perception d’une opportunité professionnelle adaptée à notre identité et pourquoi pas aussi au plaisir du spectateur ?<o:p></o:p></div>
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<i>La pièce met en jeu et démonte une manipulation politique consistant, dans un pays imaginaire nommé Yahoo, dans une situation de crise économique et politique, à remplacer la lutte des classes par la lutte des races. C’est une entrée opportune évidente par apport à l’actualité. Le point de vue mis en jeu par la pièce est à la fois plus précis et plus large. Face aux oppositions qui s’expriment de façon majeure dans une situation sociale donnée, pour Brecht, l’important n’est pas de choisir son camp mais de s’occuper des raisons et des intérêts qui président à l’usage politique de ces oppositions. Pourquoi aujourd’hui par exemple parle-t-on en Europe, abondamment, des identités nationales et de l’immigration (en particulier du drame des migrants) et moins de la gestion du chômage et du droit du travail ? La pièce de Brecht démonte les mécanismes de cette construction occulte des priorités qui est tout sauf innocente.</i><i><span style="font-size: 10pt;"> </span></i></div>
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<span style="text-align: start;"><b><span style="font-size: large;">Ce laboratoire va avoir deux activités parallèles : </span></b></span></div>
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<span style="font-size: medium;">-</span><b>La construction d’un objet scénique mettant, en partage actif, l’expérience politique que nous avons faite de la pièce de Brecht, à partir de sa mise en jeu </b>: <b><i>Le laboratoire du Gai savoir</i></b>. La pièce sera intégralement jouée mais sera associée à une deuxième couche textuelle exprimant notre réflexion à son propos. Nous dégagerons l’hétérogénéité sous-jacente des 11 tableaux, pour trouver l’unité dramaturgique, non pas grâce à la logique de la fable mais en suivant le fil intelligible et sensible de notre recherche sur l’actualité politique actuelle. Les acteurs seront donc à la fois les interprètes des personnages mais aussi les chercheurs à l’œuvre avec nous. A partir de ce que leur inspire, en 2019, leur acte d’incarnation, une interrogation vivante et ludique sur la pièce sera menée, pointant des points de vue divers mais articulés, qui questionnent notre actualité. <o:p></o:p></div>
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-<b>Avec un groupe témoin actif du travail scénique, un atelier de réflexion politique sur la situation actuelle, sera mis en œuvre </b>à partir des écarts et des convergences relevés avec la fable Brechtienne.<o:p></o:p></div>
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<b><span style="color: #990000; font-size: large;">Un temps de travail en résidence à La Distillerie d'Aubagne aura lieu en février 2019.</span></b></div>
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<span style="color: #990000; font-size: large;"><b><span style="font-family: "cambria" , serif;">Sorties de résidence p</span></b><span style="font-family: "cambria" , serif;"><b>ubliques, début mars </b></span></span></div>
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inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-89392127713115119292018-08-09T03:18:00.000-07:002018-08-09T03:18:00.637-07:00Page d'accueil<div style="text-align: center;">
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: x-large;"><b> IN PULVEREM REVERTERIS</b></span></span></div>
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<b><span class="Apple-style-span" style="font-size: x-large;">1981 /201...</span></b></div>
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<span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="color: #990000;">Aix-en-Provence/ Marseille</span></span></span></div>
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<b><span class="Apple-style-span" style="font-size: small;">Il arrive que quelque chose arrive. Que quelque chose</span></b></div>
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<b><span class="Apple-style-span" style="font-size: small;">nous arrive. Et ces points d'exception, dont toute vérité</span></b></div>
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<b><span class="Apple-style-span" style="font-size: small;">procède, l'art a pour mission de les garder, de les faire</span></b></div>
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<b><span class="Apple-style-span" style="font-size: small;">briller, de les détenir, stellaires, dans le tissu</span></b></div>
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<b><span class="Apple-style-span" style="font-size: small;">reconstitué de notre patience</span></b></div>
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<b><span class="Apple-style-span" style="font-size: small;">Alain Badiou</span></b></div>
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<span class="Apple-style-span" style="font-size: x-small;"><i>Le ressort de notre lutte n 'aura été que la revendication forcenée, et presque</i></span></div>
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<span class="Apple-style-span" style="font-size: x-small;"><i>toujours elle-même solitaire, de rester, jusqu'au bout, des hommes. Les héros</i></span></div>
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<span class="Apple-style-span" style="font-size: x-small;"><i>que nous connaissons, de l'histoire ou des littératures, qu'ils aient crié l'amour,</i></span></div>
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<span class="Apple-style-span" style="font-size: x-small;"><i>la solitude, l'angoisse de l'être ou du non-être, la vengeance, qu’ ils se soient</i></span></div>
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<span class="Apple-style-span" style="font-size: x-small;"><i>dressés contre l'injustice, l'humiliation, nous ne croyons pas qu’ils aient jamais</i></span></div>
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<span class="Apple-style-span" style="font-size: x-small;"><i>été amenés à exprimer comme seule et dernière revendication, un sentiment</i></span></div>
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<span class="Apple-style-span" style="font-size: x-small;"><i>ultime d 'appartenance à l'espèce</i></span></div>
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<span class="Apple-style-span" style="font-size: x-small;"><i>Robert Antelme</i></span></div>
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</b>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-81757299542970905802015-08-25T08:35:00.000-07:002019-08-28T08:24:44.708-07:00spectacles en préparation<div style="text-align: center;">
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<span style="font-size: x-large;"><b>LABORATOIRE DU GAI SAVOIR 1</b></span></div>
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<span style="font-size: x-large;"><b>d'après Têtes Rondes et Têtes pointues </b></span></div>
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<span style="font-size: x-large;"><b>de B Brecht</b></span></div>
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<b><span style="font-family: "cambria" , serif;"><span style="font-size: large;"><span style="font-size: 21.33333396911621px;">Ada</span><span style="font-size: 21.33333396911621px;">ptation</span></span><span style="font-size: 16pt;"><span style="font-size: large;"> et Mise en scène : Danielle Bré</span><o:p></o:p></span></span></b></div>
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<span style="font-size: 16pt;">Assistanat à la dramaturgie : Mathilde Soulheban </span></div>
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<span style="font-family: "cambria" , serif;"><span style="font-size: 16pt;">attache de diffusion et de Production: </span><span style="font-size: 16pt;"> Romane Pineau<o:p></o:p></span></span></div>
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<span style="font-family: "cambria" , serif; font-size: 21.33333396911621px;"> Avec Bryce </span><span style="font-family: "cambria" , serif;"><span style="font-size: 21.33333396911621px;">Quetel, Mathieu </span></span><span style="font-family: "cambria" , serif; font-size: 21.33333396911621px;">Cipriani, </span><span style="font-family: "cambria" , serif;"><span style="font-size: 21.33333396911621px;">Sofy Jordan, Lauren Carla Lenoir, </span></span><br />
<span style="font-family: "cambria" , serif;"><span style="font-size: 21.33333396911621px;">Malte Schwind, Stina S</span></span><span style="font-family: "cambria" , serif;"><span style="font-size: 21.33333396911621px;">oliva</span></span></div>
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<b><span style="font-size: 14pt;">Ce </span>Laboratoire </b>n’est <b>pas l’anticipation d’une création mais une création en soi</b>, un spectacle <b>mettant théâtralement en partage l’expérience d’un matériau. </b>C’est la forme scénique qui nous parait aujourd’hui la plus adaptée à notre volonté, à notre liberté, à nos possibilités économiques et à notre perception d’une opportunité professionnelle adaptée à notre identité et pourquoi pas aussi au plaisir du spectateur ?<o:p></o:p></div>
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<a href="https://www.blogger.com/blogger.g?blogID=8244870534812896045" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><i>La pièce met en jeu et démonte une manipulation politique consistant, dans un pays imaginaire nommé Yahoo, dans une situation de crise économique et politique, à remplacer la lutte des classes par la lutte des races. C’est une entrée opportune évidente par apport à l’actualité. Le point de vue mis en jeu par la pièce est à la fois plus précis et plus large. Face aux oppositions qui s’expriment de façon majeure dans une situation sociale donnée, pour Brecht, l’important n’est pas de choisir son camp mais de s’occuper des raisons et des intérêts qui président à l’usage politique de ces oppositions. Pourquoi aujourd’hui par exemple parle-t-on en Europe, abondamment, des identités nationales et de l’immigration (en particulier du drame des migrants) et moins de la gestion du chômage et du droit du travail ? La pièce de Brecht démonte les mécanismes de cette construction occulte des priorités qui est tout sauf innocente.</i><i><span style="font-size: 10pt;"> </span></i></div>
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<span style="text-align: start;"><b><span style="font-size: large;">Ce laboratoire va avoir deux activités parallèles : </span></b></span></div>
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<span style="font-size: medium;">-</span><b>La construction d’un objet scénique mettant, en partage actif, l’expérience politique que nous avons faite de la pièce de Brecht, à partir de sa mise en jeu </b>: <b><i>Le laboratoire du Gai savoir</i></b>. La pièce sera intégralement jouée mais sera associée à une deuxième couche textuelle exprimant notre réflexion à son propos. Nous dégagerons l’hétérogénéité sous-jacente des 11 tableaux, pour trouver l’unité dramaturgique, non pas grâce à la logique de la fable mais en suivant le fil intelligible et sensible de notre recherche sur l’actualité politique actuelle. Les acteurs seront donc à la fois les interprètes des personnages mais aussi les chercheurs à l’œuvre avec nous. A partir de ce que leur inspire, en 2019, leur acte d’incarnation, une interrogation vivante et ludique sur la pièce sera menée, pointant des points de vue divers mais articulés, qui questionnent notre actualité. <o:p></o:p></div>
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-<b>Avec un groupe témoin actif du travail scénique, un atelier de réflexion politique sur la situation actuelle, sera mis en œuvre </b>à partir des écarts et des convergences relevés avec la fable Brechtienne.<o:p></o:p></div>
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<b><span style="color: #990000; font-size: large;">Un temps de travail en résidence à La Distillerie d'Aubagne aura lieu en février 2019.</span></b></div>
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<span style="color: #990000; font-size: large;"><b><span style="font-family: "cambria" , serif;">Sorties de résidence p</span></b><span style="font-family: "cambria" , serif;"><b>ubliques, début mars </b></span></span></div>
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</b>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-88530955064681549432013-05-19T08:13:00.000-07:002014-08-15T17:07:43.766-07:00Photos andesmas<div class="separator" style="clear: both; text-align: center;">
<span class="Apple-style-span" style="font-size: large;"><b><span class="Apple-style-span" style="color: #cc0000;">PHOTOS L'APRES-MIDI DE MONSIEUR ANDESMAS</span></b></span></div>
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inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-18947320290188750342013-05-19T04:03:00.002-07:002013-05-19T04:03:36.847-07:00What bloody man Is that<div style="text-align: center;">
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<b><span class="Apple-style-span" style="font-size: large;">EN COPRODUCTION AVEC LA FABRIK, MONTREAL</span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: maroon; font-family: Helvetica; font-size: 18.0pt;">« WHAT
BLOODY MAN IS THAT » ?<o:p></o:p></span></b></div>
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<span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #990000;">Un rock-opéra politico-existentiel</span></span><o:p></o:p></span></div>
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<span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">d’après Macbeth de W. Shakespeare, Macbeth
d’Heiner Müller, Macbeth trad. par
Michel Garneau</span></span><o:p></o:p></span></div>
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<b><span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">Adaptation et mise en scène </span></span></span></b><span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">: Angela Konrad</span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;"><o:p></o:p></span></span></span></div>
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<b><span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">Composition musicale </span></span></span></b><span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">: Stéfan Boucher</span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;"><o:p></o:p></span></span></span></div>
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<b><span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">Conception Lumière </span></span></span></b><span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">: Conrad St. Gelais</span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;"><o:p></o:p></span></span></span></div>
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<span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">Avec : Dominique Quesnel, Philippe Cousineau,
Marc-André Goulet </span></span></span></div>
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<span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #cccccc;">et Andréane Leclerc</span></span><o:p></o:p></span></div>
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<b><span style="font-family: Helvetica;"><span class="Apple-style-span" style="font-size: small;"> Coproduction : La Fabrik, FESTIVAL OFFTA,
compagnie IN Pulverem Reverteris.</span></span></b></div>
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<span style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #999999;">Dates : 1, 2 Juin 2013</span><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></div>
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<b><span style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #999999;">Lieu : Théâtre de la Licorne,
Montréal</span><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></b></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Il y a quelque chose de
fascinant dans les figures de Macbeth et Lady Macbeth, ce vieux couple stérile
qui n’a pas pu assurer sa descendance et qui met le monde à feu et à sang pour
tenter à faire dérailler l’Histoire. </span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Cette tragédie met surtout en jeu la volonté de
précipiter les événements, de dénier sa propre mort et de vouloir concurrencer
l’éternité : « </span></span></span><i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Monde, si je
pouvais être ta tombe, pourquoi dois-je finir et pas toi. </span></span></span></i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">» (Heiner
Müller, </span></span></span><i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Macbeth</span></span></span></i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">). </span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Nous allons retirer de </span></span></span><i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Macbeth</span></span></span></i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"> le tissu structurel du
fonctionnement du pouvoir politique au sein du couple tel que décrit par
Shakespeare. La perte d’un idéal moral, provoquée par le meurtre du Roi, ouvre
la porte à la domination de la raison instrumentale qui finit par traverser la
sphère politique et le domaine privé d’un couple devenu éminemment néolibéral. </span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">L’accumulation des
titres et des biens fait fonctionner un monde saturé qui bientôt se dissout
dans la bulle virtuelle de sa propre spéculation. La quête d’une jouissance
durable devient le moteur d’une modernité qui court à sa perte. Le sexe et le pouvoir
se conjuguent dans un déni total de la mort tout en la mettant en scène. </span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></div>
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<o:p><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Il s’agit d’un
laboratoire qui préfigure un projet de plus grande envergure. Un </span></span></span><i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">work in progress</span></span></span></i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"> donc qui se focalise
sur l’hypertrophie du couple Macbeth/Lady Macbeth et sur la domination de la
raison instrumentale dans la sphère publique et privée de leur exercice du
pouvoir.</span></span></span></span></span></o:p></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Ce laboratoire consiste d’abord en un travail de réécriture
basée sur l’œuvre de Macbeth dans sa traduction de Jean-Michel Déprats et dans
sa version adaptée de Heiner Müller traduit par Jean-Pierre Morel. Des
fragments de textes seront confrontés à des matériaux textuels non
dramatiques : </span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">-S</span></span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">cénarii de films comme par exemple </span></span></span><i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Moloch</span></span></span></i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"> de Sokourov </span></span></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">-Ecrits psychanalytiques de Sigmund Freud sur le « cas » de Lady Macbeth</span></span></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">-</span></span><span class="Apple-style-span" style="font-weight: bold;"><span style="font: normal normal normal 7pt/normal 'Times New Roman';"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"> </span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">écrits et témoignages concernant la mise en scène de </span></span></span><i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Macbeth</span></span></span></i><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"> par Jean Vilar </span></span></span></span></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">·</span></span></span><span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;"> </span></span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">Ce cirque
politico-existentiel d’un couple postmoderne au pouvoir sera ponctué par d</span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small;">es
séances de cure psychanalytique pour éclairer les recoins subconscients du
couple, des numéros de contorsions pour délectation de messieurs impuissants et
des tours de chant de Lady entre deux prises d’antidépresseurs.</span></span></span></span></span></div>
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</b>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-77390771811967539292013-05-19T03:30:00.003-07:002013-06-06T01:42:50.580-07:00Une Fée <div class="separator" style="clear: both; text-align: center;">
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<b><span style="font-size: 20pt;"><span class="Apple-style-span" style="color: #990000;">FICTIONS NOMADES</span><o:p></o:p></span></b></div>
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<b>Production Opening Nights / Par les Villages<o:p></o:p></b></div>
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<b style="mso-bidi-font-weight: normal;">Coproduction Marseille-Provence 2013, Capitale européenne de la culture<span style="font-size: 16pt;">.<o:p></o:p></span></b></div>
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<o:p><span class="Apple-style-span" style="color: #cccccc;"> </span><span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: #cccccc;">Responsabilité artistique : Cie</span></span><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: #cccccc;"> </span></span><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: #cccccc;">In Pulverem Reverteris</span></span></span></o:p></div>
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EN PARTENARIAT AVEC<span style="mso-spacerun: yes;"> </span>LE BOIS DE L’AUNE <o:p></o:p></div>
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<span style="mso-spacerun: yes;"> </span>Et en liaison avec le projet Phèdre et les Oiseaux de<o:p></o:p></div>
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Jean Baptiste Sastre et Frédéric Boyer</div>
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<b><span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="font-size: large;">UNE FEE</span></span></b></div>
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<span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="font-size: large;"><b><br /></b></span></span></div>
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<span class="Apple-style-span" style="color: #990000;">LECTURE THEATRALE</span></div>
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Un texte de Frédéric Boyer édité chez P.O.L</div>
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<span class="Apple-style-span" style="color: #cccccc;"><b>Adaptation et Mise en scène Danielle Bre</b></span></div>
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<span class="Apple-style-span" style="color: #cccccc;"><b>avec Julien Asselin, Mathieu Cipriani, Annie Savignat, Amandine Thomazeau</b></span></div>
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</b></span></div>
<span class="Apple-style-span" style="color: #cccccc; font-weight: bold;">Un Thriller pour quatre voix qui raconte de façon singulière et machinée <span style="mso-spacerun: yes;"> </span>les tribulations d’une jeune femme de
l’Est,<span style="mso-spacerun: yes;"> </span>grande et blonde, dans une Europe
improbable, de cafés triste en hôtels de passage. <span class="Apple-style-span" style="font-family: 'Times New Roman'; font-size: 16px;">Une prostituée ? Non ! Une fée</span></span><br />
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<span class="Apple-style-span" style="color: #cccccc;"><b></b></span><br />
<span class="Apple-style-span" style="color: #cccccc;"><b></b></span><br />
<span class="Apple-style-span" style="color: #990000; font-family: 'Times New Roman';"><b><span class="Apple-style-span" style="color: black; font-family: Times;"><span class="Apple-style-span" style="font-weight: normal;"><br /></span></span></b></span>
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<span class="Apple-style-span" style="font-family: 'Times New Roman';"><i><span class="Apple-style-span" style="color: #990000;">
</span></i><!--StartFragment-->
</span></div>
<span class="Apple-style-span" style="font-family: 'Times New Roman';"><div class="MsoNormal" style="text-align: center;">
<i><span class="Apple-style-span" style="color: #990000;">Tout ce qui
est caché veut être révélé. </span></i><i><span class="Apple-style-span" style="color: #990000;"><o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: center;">
<i><span class="Apple-style-span" style="color: #990000;">Tout ce qui
est aimé se languit d'être trahi. </span></i><i><span class="Apple-style-span" style="color: #990000;"><o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: center;">
<i><span class="Apple-style-span" style="color: #990000;">Tout ce qui
est détruit agit contre nous. </span></i><i><span class="Apple-style-span" style="color: #990000;"><o:p></o:p></span></i></div>
<div class="MsoNormal" style="text-align: center;">
<i><span class="Apple-style-span" style="color: #990000;">Tout ce qui
fut fait attend d'être détruit. </span></i><i><span class="Apple-style-span" style="color: #990000;"><o:p></o:p></span></i></div>
<span style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: FR; mso-bidi-language: AR-SA; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: FR; mso-fareast-theme-font: minor-fareast;"><div style="text-align: center;">
<span class="Apple-style-span"><span class="Apple-style-span" style="color: #990000;"><i><br /></i></span></span></div>
</span><span class="Apple-style-span" style="color: #990000;"><i>
</i></span><div class="MsoNormal" style="text-align: center;">
<div style="text-align: left;">
<!--StartFragment--><span style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: FR; mso-bidi-language: AR-SA; mso-fareast-font-family: "MS 明朝"; mso-fareast-language: FR; mso-fareast-theme-font: minor-fareast;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #b6d7a8;"><i>On habite
dans le ventre d'un vieux narrateur qui tout le temps avale histoire sur
histoire, la moindre petite existence parlée, pour faire une histoire jamais
finie, pleine de milliers de vies inconnues, jamais digérées - ce qui donne à
tout ça une douleur cachée, cette espèce de fatigue de l'ensemble inachevé de
l'hôtel juste ça. </i></span></span></span><!--EndFragment--><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #b6d7a8;"><i>
</i></span></span></div>
</div>
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<div style="text-align: center;">
</div>
<div>
<span class="Apple-style-span" style="color: black;"><span class="Apple-style-span" style="font-weight: normal;"><br /></span></span></div>
<span class="Apple-style-span" style="font-family: 'Times New Roman';"></span><br />
<span class="Apple-style-span" style="font-family: 'Times New Roman';"><div style="text-align: auto;">
<span class="Apple-style-span" style="font-family: Times;"><br /><span class="Apple-style-span" style="color: #990000;">LES PENNES MIRABEAU</span><br />Mediathèque des Pennes Mirabeau<br />Vendredi 28 juin à 19h<br /></span><br />
<span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="color: #990000;">VITROLLES</span></span><br />
<span class="Apple-style-span" style="font-family: Times;">Bibliothèque Georges Sand<br />Samedi 29 juin à 16 H<br /><br /><span class="Apple-style-span" style="color: #990000;">TRETS</span></span><br />
<span class="Apple-style-span" style="font-family: Times;">Médiathèque : La mine de mots<br />Mercredi 3 juillet à 19 h<br /><br /><span class="Apple-style-span" style="color: #990000;">ROUSSET</span><br />Médiathèque<br />Vendredi 5 juillet à 18 h 30<br /><br /><span class="Apple-style-span" style="color: #990000;">COUDOUX</span></span><br />
<span class="Apple-style-span" style="font-family: Times;"><span class="Apple-style-span" style="color: #990000;">Dans le cadre des Estivales</span></span><br />
<span class="Apple-style-span" style="font-family: Times;">Salle Jean Mermoz<br />Samedi 6 juillet à 11h<br /><br /><br /><br /><br /><br /></span></div>
</span></div>
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<span class="Apple-style-span" style="font-family: 'Times New Roman';"><br /></span></div>
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<span class="Apple-style-span" style="font-family: 'Times New Roman';"><br /></span></div>
</b></span></div>
inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-3205359726789123842013-05-19T02:45:00.000-07:002013-05-19T02:49:30.757-07:00Onysos le Mede<!--StartFragment-->
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<b><span style="font-size: 20.0pt;"><span class="Apple-style-span" style="color: #990000;">FICTIONS
NOMADES</span><o:p></o:p></span></b></div>
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<b>Production
Opening Nights / Par les Villages<o:p></o:p></b></div>
<div align="center" class="MsoNormal" style="mso-pagination: widow-orphan lines-together; text-align: center;">
<b style="mso-bidi-font-weight: normal;">Coproduction
Marseille-Provence 2013, Capitale européenne de la culture<span style="font-size: 16.0pt;">.<o:p></o:p></span></b></div>
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<o:p> <span class="Apple-style-span" style="font-weight: bold;"><span class="Apple-style-span" style="font-size: large;">Responsabilité artistique : Cie</span><span class="Apple-style-span" style="font-size: large;"> </span><span class="Apple-style-span" style="font-size: large;">In Pulverem Reverteris</span></span></o:p></div>
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<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
EN PARTENARIAT
AVEC<span style="mso-spacerun: yes;"> </span>LE BOIS DE L’AUNE ET LA SNCF<o:p></o:p></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="mso-spacerun: yes;"> </span>Et en liaison avec le projet Phèdre et les
Oiseaux de<o:p></o:p></div>
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Jean Baptiste Sastre
et Frédéric Boyer<o:p></o:p></div>
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<span class="Apple-style-span" style="color: #cccccc;"><i><br /></i></span></div>
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<span class="Apple-style-span" style="font-size: 19px; font-weight: bold;"><span class="Apple-style-span" style="color: #cccccc;"><i>Les dieux, les héros</i></span><span class="Apple-style-span" style="color: #cccccc;"><i> </i></span><span class="Apple-style-span" style="color: #cccccc;"><i>de l’antiquité, les personnages légendaires </i></span><span class="Apple-style-span" style="color: #cccccc;"><i> </i></span><span class="Apple-style-span" style="color: #cccccc;"><i>vont traverser</i></span><span class="Apple-style-span" style="color: #cccccc;"><i> </i></span><span class="Apple-style-span" style="color: #cccccc;"><i>incognito l’espace public contemporain où dit-on règne en maitre le réel. Si loin, si prés de nous …</i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7rSBhwEbl9A0on0isw3vzutbR3XvXsmNl99aBDTGHl2UmoYlhh3QxtoHNIQ8e8u2NQALHFA0NN-lWHO8kdYs2cwQP6BYezhsNfpbf4bTZkzD9yf2mFFfIVdR0sNqAOBI5YaAt-ksYNf4/s1600/dionysos+antique.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7rSBhwEbl9A0on0isw3vzutbR3XvXsmNl99aBDTGHl2UmoYlhh3QxtoHNIQ8e8u2NQALHFA0NN-lWHO8kdYs2cwQP6BYezhsNfpbf4bTZkzD9yf2mFFfIVdR0sNqAOBI5YaAt-ksYNf4/s320/dionysos+antique.jpg" style="cursor: move;" width="320" /></a><br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt;"><o:p> <span class="Apple-style-span" style="color: #990000;">ONYSOS LE MEDE</span></o:p></span></b></div>
<div class="MsoNormal" style="text-align: center;">
<span class="Apple-style-span" style="color: #990000; font-size: x-large;"><span class="Apple-style-span" style="font-size: 24px;"><span class="Apple-style-span" style="color: black; font-size: small;"><b><span class="Apple-style-span" style="color: #eeeeee;">A</span><span class="Apple-style-span" style="color: #eeeeee;"> parti d’un texte de Laurent Gaudé. Onysos le Furieux</span></b></span></span></span></div>
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<b><span class="Apple-style-span" style="color: #eeeeee;">Adaptation et Direction d'acteur : Danielle Bré</span></b></div>
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<b><span class="Apple-style-span" style="color: #eeeeee;">acteur performeur : Mathieu Cipriani</span></b></div>
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<span class="Apple-style-span" style="color: #990000; font-size: x-large;"><span class="Apple-style-span" style="font-size: 24px;"><b><br /></b></span></span></div>
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<span class="Apple-style-span" style="color: #990000; font-size: x-large;"><span class="Apple-style-span" style="font-size: 24px;"><b><br /></b></span></span></div>
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<b><o:p> <span class="Apple-style-span" style="color: #cccccc;">DU 15 JUIN AU 31 JUIN </span></o:p></b></div>
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<b><span class="Apple-style-span" style="color: #cccccc;">Gare d'Aix-en-Provence, de Meyrargues et Simiane Collongue</span></b></div>
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<o:p></o:p></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="font-size: 19px;"><b><br /></b></span></span></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="font-size: 21px;"><b><br /></b></span></span></div>
<!--EndFragment-->
inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-91084504632725977702012-05-04T02:40:00.003-07:002013-05-18T10:19:33.188-07:00Return to death<span class="Apple-style-span" style="color: #cccccc;"><br /></span>
<div class="MsoNormal">
<b><span style="font-family: Times; font-size: 22pt;"><span class="Apple-style-span" style="color: #cccccc;">IN PULVEREM REVERTERIS LA FABRIK</span></span></b></div>
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<b><i><span style="font-family: Arial; font-size: 28pt;"><span class="Apple-style-span" style="color: #990000;">RETURN
TO DEATH</span><o:p></o:p></span></i></b></div>
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<b><span style="font-family: Times; font-size: 20pt;"><span class="Apple-style-span" style="background-color: black;">D’après
la Cerisaie de Tchekhov</span><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></b></div>
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<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: 27px;"><b><br /></b></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Fq4DzchyphenhyphenNFSYDZjTm8NTKEEaVbiMqNzUaYhZlLfuA-pMCV3Uc7RXVWEBuG5DEMJTOpXajShezXlzIvZzpdo41sDKscDPXw9xA6kT1NyIBy2Xn8zAwHvhacnoePHXldwO2KuerzA4X-c/s1600/185932199.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Fq4DzchyphenhyphenNFSYDZjTm8NTKEEaVbiMqNzUaYhZlLfuA-pMCV3Uc7RXVWEBuG5DEMJTOpXajShezXlzIvZzpdo41sDKscDPXw9xA6kT1NyIBy2Xn8zAwHvhacnoePHXldwO2KuerzA4X-c/s320/185932199.jpg" width="320" /></a></div>
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<span class="Apple-style-span"><span class="Apple-style-span" style="font-size: 27px;"><b><br /></b></span></span></div>
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<b><i><span style="font-size: 14pt;"><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="color: white;">L</span></span><span class="Apple-style-span" style="color: #f3f3f3;"><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="color: white;">aboratoire
expérimental d’une déchéance annoncée p</span>our six acteurs, une contorsionniste,
deux fantômes et deux chiens</span></span><span class="Apple-style-span" style="color: #f3f3f3;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></span></i></b></div>
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<b><span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Conception et réalisation du
projet </span></span></span></b><span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></span></div>
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<span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Angela Konrad</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><br /></span></span></div>
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<b><span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Assistanat à la mise en scène</span></span></span></b><span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></span></div>
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<span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Steve Giasson</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></span></div>
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<b><span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Avec </span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></span></b></div>
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<span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Stéphanie Cardi, Julie
Choquette, Philippe Cousineau,
Marc-André Goulet, Marie-Laurence Moreau, Gilles Provost, Dominique Quesnel</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></span></div>
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<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Textes</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></span></b></div>
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<i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">La Cerisaie</span></span></i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"> d’A.P. Tchekhov et des textes de </span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Jean Baudrillard, William
Shakespeare, Katherine Mansfield, Marilyn Monroe</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></div>
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<br /></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b><span style="font-size: 14pt;"><o:p><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Musique </span></span></o:p></span></b></div>
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<span style="font-size: 14pt;"><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Sixtoo, Bach, Mozart, Amy Winehouse</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></span></div>
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<b><i><span style="font-family: Times; font-size: 14pt;"><span class="Apple-style-span" style="color: #990000;">Partenaires
actuels : L’Usine C, Montréal et le Théâtre des Bernardines, Marseille</span><o:p></o:p></span></i></b></div>
<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="font-family: Times; font-size: 14pt;"><br clear="all" style="mso-special-character: line-break; page-break-before: always;" />
</span></i></b>
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<b><span style="font-family: Times; font-size: 18pt;"><i><span class="Apple-style-span" style="color: #eeeeee;">Peut-être,
croyons-nous seulement exister, mais en réalité nous n’existons pas. Lioubov, La Cerisaie</span></i><o:p></o:p></span></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span class="Apple-style-span" style="color: white;">T<span class="Apple-style-span" style="background-color: black;">chekhov
savait qu’il allait mourir en écrivant </span></span><i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">La
Cerisaie</span></span></i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"> un an avant la révolution de 1905.</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></div>
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<i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Return to death</span></span></i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"> cherche à révéler la face
cachée de cette œuvre qui manipule notre inconscient depuis longtemps. </span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Le
projet porte dans son titre, </span></span><i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Return to
death</span></span></i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">, une hypothèse: le retour de Lioubov à la cerisaie est de prime abord
un retour à l’enfance pour se révéler
finalement un retour à la mort. L’armoire de la chambre des enfants crachent
les fantômes de la vie de Lioubov: sa mère morte, son enfant noyé. La
lignée est réduite à sa dimension spectrale, le froid inhabituel pour la
saison, le brouillard, l’aube en pleine nuit sont les signes distinctifs d’un
temps détraqué...</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">La stérilité
de la cerisaie est l’œuvre d’une volonté : laisser mourir un monde dont on
n’a plus les moyens. On a beau à crier après les domestiques, ils sont déjà en
train de s’armer pour 1905.</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Il
faut alors faire exploser le samovar, débarrasser </span></span><i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">La Cerisaie</span></span></i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"> de son fratras folklorique, des imitations en tout
genre, des jolies danses et des chants larmoyants. Il faut en finir avec ces
actrices qui, en buvant du thé, font de Lioubov une sainte alliée de la
ménopause galopante ainsi que de ses acteurs qui s’appuient sur Stanislavski et
ses théories sur la construction du personnage pour boire de la vodka sur scène
et pour mettre la main aux fesses des actrices en coulisses. </span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Comme
le dit si bien Françoise Morvan, co-traductrice avec A. Markowicz de </span></span><i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">La Cerisaie</span></span></i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"> </span></span><i><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">:« (…) il est le don laissé à chaque spectateur d’oublier la pièce
pour ne se souvenir que de configurations personnelles similaires: d’y
lire l’enfermement dans l’enfance , la façon de se laisser envahir par sa mort,
de jouer perdant, sans rapport avec le monde et toujours sur le mode de « comme
si » » .</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;">Angela
Konrad</span></span><span class="Apple-style-span" style="color: white;"><span class="Apple-style-span" style="background-color: black;"><o:p></o:p></span></span><br />
<span class="Apple-style-span" style="color: white;"><br /></span>
<span class="Apple-style-span" style="color: purple;"><a href="https://docs.google.com/document/d/1g2P-7kzB5YATthz6GfajM2-FCROMflHrD9xCyJtXznM/edit">Telecharger le dossier complet</a></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-26690437008337641092012-05-03T03:50:00.001-07:002013-05-19T08:18:56.664-07:00Andesmas<div class="separator" style="clear: both; text-align: center;">
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<b><span class="Apple-style-span" style="color: #999999;">IN PULVEREM REVERTERIS</span></b></div>
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<div style="color: #c76562; font: 32px Arial; margin: 0px; text-align: center;">
<b><i><span class="Apple-style-span" style="color: #990000;">L’APRES-MIDI de MR ANDESMAS</span></i></b></div>
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<br /></div>
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<b>TEXTE : MARGUERITE DURAS</b></div>
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Editions Gallimard</div>
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<b><span class="Apple-style-span" style="font-size: large;">Adaptation et mise en scène : Danielle Bré</span></b></div>
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Assistanat à la mise en scène : Mathieu Cipriani</div>
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Régie Générale : Alice Huc<br />
Regies son : Laura Devoitin</div>
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<b></b></div>
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<b>avec</b></div>
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<div style="text-align: center;">
Olive Bernard, Mathieu Cipriani,Peggy Peneau, Maurice Vinçon,</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFdSv6tiunmvzgF0fSTqNCT9DNz_A6wuQVBXSp9XAMvOjm11iu1gGkPRvKtnf69ir-Jqn9AYtjnpVDHOt3R7W0XvxHVJUubIvGuu0Q83a4YCm91GyAQuDvRnUvY_jjya5hZdXjnaCF7kc/s1600/Duras.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFdSv6tiunmvzgF0fSTqNCT9DNz_A6wuQVBXSp9XAMvOjm11iu1gGkPRvKtnf69ir-Jqn9AYtjnpVDHOt3R7W0XvxHVJUubIvGuu0Q83a4YCm91GyAQuDvRnUvY_jjya5hZdXjnaCF7kc/s320/Duras.jpg" width="320" /></a></div>
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<div class="MsoNormal" style="margin: 0cm 7.05pt 0cm 7.1pt; text-align: justify;">
<i><span style="font-family: Garamond;">Ce récit est d l'histoire d'une attente : celle d'un vieillard, Monsieur
Andesmas, assis sur une chaise en rotin, devant la mer et le gouffre de
lumière, devant la maison qu'il vient d'offrir à sa fille Valérie. En cette
après-midi d'été, il attend l'architecte Michel Arc, qui va être chargé
de construire une terrasse sur ce terrain pour Valérie, devant la mer.
Mais
Michel Arc ne vient pas...Monsieur Andesmas attend. Il attend jusqu'à ce que la
nuit tombe. Au fil de son attente, le rejoindront un chien, une petite fille et
une femme, respectivement fille et épouse de Michel Arc.
Car il se pourrait
bien que Michel Arc soit en compagnie de Valérie, en bas sur la place du
village, en train de danser. Il vit alors une agonie qui n’en est pas une. Car on survit
… A quoi somme toute ? A la
fin d’un amour ? A l’abandon ? A l’inéluctable de la séparation, à la
fin de son désir, à la contagion des autres, simplement peut être à un
après-midi d’été, en France dans les années 1960. <o:p></o:p></span></i></div>
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<br /></div>
<div class="MsoNormal">
<b><i><span style="font-family: Garamond;">Au
futur spectateur …<o:p></o:p></span></i></b></div>
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<br /></div>
<div class="MsoNormal" style="text-align: left;">
<b><span style="font-family: Garamond;">L’histoire qu’on va vous raconter
ce soir est une histoire d’aujourd’hui. C’est une histoire sentimentale mais
elle s’ancre dans notre société, dans ce
temps de mutation et de crise. .<o:p></o:p></span></b></div>
<div class="MsoNormal" style="text-align: left;">
<b><span style="font-family: Garamond;">Elle met en jeu des gens comme
vous. Ce ne sont pas non plus des gens simples. Elle va vous être racontée par
eux-mêmes.<o:p></o:p></span></b></div>
<div class="MsoNormal" style="text-align: left;">
<b><span style="font-family: Garamond;">Ce sont des revenants, pas des
fantômes, des revenants, des êtres qui ne sont pas revenus de cet après-midi
d’été qui les a réunis. C’est pourquoi ils reviennent inlassablement sur ce qui
leur est arrivé, sur cette colline, devant cette maison, cet été là. <o:p></o:p></span></b></div>
<div class="MsoNormal" style="text-align: left;">
<b><span style="font-family: Garamond;">Ils n’ont pas rencontrés des
extraterrestres. Nul fait divers exceptionnel ne s’est passé là. Ils n’ont pas
entendu des voix. La vierge ne leur est pas apparue. Pourtant, comme Bernadette
ou Jeanne d’Arc, ils n’ont plus jamais été pareils, après. <o:p></o:p></span></b></div>
<div class="MsoNormal" style="text-align: left;">
<b><span style="font-family: Garamond;">Ils ont accédé obscurément à une
nouvelle conscience de leur humanité. Ils
ne maîtrisent pas grand chose de cette
conscience même s’il savent qu’il est important de la partager.<o:p></o:p></span></b></div>
<div class="MsoNormal" style="text-align: left;">
<b><span style="font-family: Garamond;">Ils reconstituent cet après-midi,
pour eux-mêmes, pour laisser se creuser en eux la trace de l’évènement, ils la
reconstituent aussi pour vous, car ils en sont devenus les témoins volontaires.
Ils nous annoncent quelque chose.<o:p></o:p></span></b></div>
<div class="MsoNormal" style="text-align: left;">
<b><span style="font-family: Garamond;">Vous pouvez les écouter dans la
fraternité intemporelle des êtres de chair et de sentiments, mais aussi les
voir comme les symboles sous-jacents des forces historiques qui travaillent
actuellement l’intimité des hommes
d’occident</span></b><span style="font-family: Garamond;">.<b><i><u><o:p></o:p></u></i></b></span><br />
<span class="Apple-style-span" style="color: #cc0000; font-family: Times, 'Times New Roman', serif;"><b><span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="font-size: 20px; font-weight: normal;"><br /></span></span></b></span>
<span class="Apple-style-span" style="color: #cc0000; font-family: Times, 'Times New Roman', serif;"><b><br /></b></span>
<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span"><span class="Apple-style-span" style="color: #cc0000;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: small; font-weight: bold;">Ce spectacle sera repris en 2014, au Théâtre de Lenche, Friches du Panier, les 18,19,20,21,</span></span></span></span></span><br />
<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span"><span class="Apple-style-span" style="color: #cc0000;"><span class="Apple-style-span" style="font-size: small;"><b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">22 Mars, au Théâtre du Bois de l'Aune et dans les communes du Pays d'Aix en Avril</span></b></span></span></span></span><br />
<span class="Apple-style-span" style="color: #cc0000; font-family: Times, 'Times New Roman', serif; font-weight: bold;">Il bénéficie du dispositif Saison 13, d'Octobre 2013 à Octobre 2014 </span></div>
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<span class="Apple-style-span" style="color: purple;"><a href="https://docs.google.com/file/d/0B6UEuVq8abkEa0FaMmx5U1o4RHM/edit">télécharger le dossier complet : </a></span><br />
<span class="Apple-style-span" style="color: purple;"><br /></span>
<span class="Apple-style-span" style="color: purple;"><br /></span><span class="Apple-style-span" style="color: #ffe599;">Consultez les Photos</span><br />
<span class="Apple-style-span" style="color: purple;"><span class="Apple-style-span" style="text-decoration: underline;"><br /></span></span>
<span class="Apple-style-span" style="color: purple;"></span>
<span class="Apple-style-span" style="color: purple;"></span>
<span class="Apple-style-span" style="color: purple;"><a href="http://inpulveremreverteris.blogspot.fr/2013/05/blog-post.html">h<span class="Apple-style-span" style="font-size: xx-small;">ttp://inpulveremreverteris.blogspot.fr/2013/05/blog-post.html</span></a></span></div>
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inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-60211530740487996632012-05-02T19:27:00.002-07:002018-08-09T00:06:55.997-07:00Spectacles récents<div style="text-align: center;">
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<b style="font-family: '"times"', '"times new roman"', serif;"><span class="Apple-style-span" style="color: #cc0000;"><b><span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="color: #990000;"><u>CARNET D'AUTOMNE </u></span></span></span></b></span></b></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: xx-small;"><span class="Apple-style-span" style="color: black; font-family: "helvetica";"><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;">Création 2014,dans le cadre de l</span></span></span><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;">ʼ</span></span></span><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;">appel à projet Bassin de Pays d</span></span></span><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;">ʼ</span></span></span><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;">Opening Nights –Par les Villages</span></span></span></b></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;"><b>Adaptation, et Mise en scène : Danielle Bre</b></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;"><b>Assistanat : Mathieu Cipriani</b></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;"><b>Jeu : Danielle Bré</b></span></span></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=8244870534812896045" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;"><b>Chant : Josette Lanlois</b></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;"><b>Accompagnement Piano : Marie Claire Trébor</b></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;"><b>Régie : En alternance Laura Devoitin et Felix Doullay</b></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;"><b>Coproduction In Pulverem Reverteris / Opening nights</b></span></span></span></div>
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<b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;">Le spectacle entrecroise la lecture d</span></span></span><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;">ʼ</span></span></span><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;">extraits du journal et des chansons connues ou moins connues </span></span></span></b></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;"><b>accompagnées au piano.</b></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: x-small;"><b>Répertoire : Cora Vaucaire, Brigitte Fontaine</b></span></span></span></div>
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<b><span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="font-size: small;">Spectacle pour petites salles, bibliothèque et tous lieux féminins : appartements , salons de coiffure , salons de thés, Hall dʼhôtel, etc</span></span></b></div>
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<span class="Apple-style-span" style="color: #990000;"><b><b><span class="Apple-style-span" style="font-size: small;">Le texte des Tablettes</span></b></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">Le texte se présente comme des petits textes autonomes discontinus mais toujours incisifs, précédés d</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">un titre.</span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">A la fin du IVème siècle de notre ère, une patricienne romaine (c</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">est une fiction) âgée de cinquante et un ans tient son journal, ou plutôtune sorte d'agenda.</span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">Elle consigne sur des tablettes de buis, des achats qu'elle projette, des rentrées d'argent, des plaisanteries, des scènes qui l'ont touchée.</span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">Pendant vingt ans Apronenia Avitia se consacre à cette tâche méticuleuse, dédaignant de voir la mort de l'Empire, le pouvoir chrétien qui s'étend, les troupes gothiques qui investissent à trois reprises la Ville. Elle aime l'or. Elle aime la grandeur des parcs et les barques plates chargées d</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">amphores et d</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">avoines qui passent sur le Tibre Elle aime descendre aux cuisines et dévorer tout à coup. Elle aime l'odeur et la politesse du plaisir. Elle aime boire. Elle aime les hommes qui oublient de temps en temps le regard des autres hommes, Elle aime les vantaux aux fenêtres qui ne laissent pas passer le jour. Elle n</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">est pas jeune. Autour d</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">elle ses proches meurent et l</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">histoire de l</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">empire</span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">romain à cette époque aussi est violente mais elle, lucide et aveugle à la fois, laisse tomber les jours comme des feuilles mortes</span></span></span></b></span></div>
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<span class="Apple-style-span" style="font-family: "helvetica"; font-size: 12px;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">Censée appartenir à l</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">empire romain finissant, Cette femme nous ressemble étrangement et même l</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">exotisme la rapproche de nous,faisant des banalités des chose étonnantes et singulières</span></span></span></span></div>
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<span class="Apple-style-span" style="font-family: "helvetica"; font-size: 12px;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">Ce 4eme siècle après Jésus Christ de l</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">empire romain finissant, entre valeurs républicaines affaiblies et christianisme montant, ressemble aussi à notre époque, par la même sorte d</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">errance mentale que celle qui frappe aussi nos contemporains</span></span></span></span></div>
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<b><a href="https://www.blogger.com/blogger.g?blogID=8244870534812896045" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">Pas de notation dans le journal d</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">Avitia évoquant les drames de ce temps, soit qu</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">elle décidât de ne pas les voir soit que cela n</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">affectât que de loin sa vie quotidienne. Il n</span></span></span><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;">y avait pas de télé en ce temps là et le bonheur semble déjà la grande affaire de chacun.</span></span></span></b><br />
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<b><span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Mise en scène : Danielle Bré<o:p></o:p></span></span></span></b></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Assistanat à la mise en scène et Dramaturgie : Mathieu Cipriani<o:p></o:p></span></span></span></div>
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<b><span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Avec : <o:p></o:p></span></span></span></b></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Le Souvenant : Mathieu Cipriani<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Les voix : Gilles Le Moher, Christophe Chave, Bryce Quétel<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;"> Création Lumières : Jean Luc Hervé<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Enregistrement et travail sur le son : Julien Sayegh<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Régie Générale : Laura Devoitin<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Régie Vidéo : Félix Doullay<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;"> Création musicale et piano : Simon Sieger<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Diffusion : Claire Emmanuelle Bastier</span></span><span class="Apple-style-span" style="color: #cccccc;"><o:p></o:p></span></span></div>
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<i><span class="Apple-style-span" style="font-size: xx-small;"><span class="Apple-style-span" style="color: #cccccc;">Avec le soutien du Bois de l’Aune, du Théâtre de la Joliette Minoterie, des Friches de la Belle de Mai , du Théâtre Massalia, de la régie culturelle régionale, du théâtre Antoine Vitez<o:p></o:p></span></span></i></div>
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<b><span class="Apple-style-span" style="color: #990000;">Composition de la soirée Randonnée en terres Beckettiennes</span></b></div>
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<span class="Apple-style-span" style="font-weight: bold;"><b></b></span><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><b><span class="Apple-style-span" style="color: #999999;">La soirée est articulée comme une réflexion sur l’identité et le rapport à soi même et </span></b></span><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><b><span class="Apple-style-span" style="color: #999999;"> compose un ensemble </span></b></span><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><b><span class="Apple-style-span" style="color: #999999;">autour du Dramaticule de Beckett </span></b></span><i><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><b><span class="Apple-style-span" style="color: #999999;">Cette Fois</span></b></span></i></div>
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<b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #999999;">Partie 1 : Diffusion vidéo de « Quad » : une des pièces télévisuelles de Beckett</span></span></b><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #999999;">.<o:p></o:p></span></span></b></div>
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<span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">Écrites en anglais, pour la télévision, entre 1975 et 1982, ces quatre œuvres dont deux sont muettes, ont été mises en scène et réalisées par Samuel Beckett. Produites par la Süddeutscher Rundfunk, elles ont été diffusées en Allemagne entre 1977 et 1983, puis en Grande-Bretagne et en Irlande.</span></span><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;"><o:p></o:p></span></span></b></div>
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<a href="https://www.blogger.com/blogger.g?blogID=8244870534812896045" imageanchor="1" lambdaeverupdated="1" style="clear: left; color: #cc6600; float: left; margin-bottom: 1em; margin-right: 1em; text-decoration: none;"></a><i><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">Quad</span></span></i><i><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;"> présente un plan (cinématographique et scénique) dont la fixité est perturbée par l’entrée successive de quatre marcheurs fantomatiques aux quatre coins du carré. Comme souvent chez Beckett, les « interprètes » épuisent des séries logiques combinant tous les trajets possibles : chacun, l’un après l’autre, apparaît dans sa tunique, encapuchonné, tête baissée, visage caché. La dramatisation est minimale, sans autre évènement que l’apparition-disparition des corps et l’évitement obligé de la « zone de danger » du centre par un brusque déhanchement de la marche.
Bande son de percussion</span></span></i><b><i><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;"><o:p></o:p></span></span></i></b></div>
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<span class="Apple-style-span" style="color: #cccccc; font-family: "times" , "times new roman" , serif;">Il s’agit de témoigner du rapport de Beckett à la composition mathématique et de mettre le spectateur dans la réception du formalisme sensible qui caractérise ce film.</span></div>
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<b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">P</span><span class="Apple-style-span" style="color: #999999;">artie 2 : Représentation de « Cette fois »</span><span class="Apple-style-span" style="color: #cccccc;">.</span></span></b></div>
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<b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"></span></b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">Au départ, </span></span><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">« Cette fois »</span></span></b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;"> devait être joué par des acteurs en live et la partition du Souvenant au contraire devait donner lieu à une création filmique : lieu d’images mentales. Les ayants droit nous ont imposé le respect absolu des didascalies Beckettienne : Les Voix seront donc des voix enregistrées et un acteur présent figurera le</span></span><i><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;"> Souvenant. </span></span></i><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">Les voix seront des enregistrements live des acteurs qui se tiendront en coulisse et ne seront donc pas à vue. Un traitement du son sera opéré par un ingénieur du son également en live</span></span></b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;"><o:p></o:p></span></span></div>
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<b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #999999;">Partie 3 : Diffusion Vidéo de</span></span><i><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #999999;"> Film</span></span></i><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">, </span></span></b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">écrit par </span></span><a href="http://fr.wikipedia.org/wiki/Samuel_Beckett" lambdaeverupdated="1" style="color: #cc6600; text-decoration: none;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">Samuel Beckett</span></span></a><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">, réalisé par </span></span><a href="http://fr.wikipedia.org/wiki/Alan_Schneider" lambdaeverupdated="1" style="color: #cc6600; text-decoration: none;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">Alan Schneider</span></span></a><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;"> en </span></span><a href="http://fr.wikipedia.org/wiki/1965" lambdaeverupdated="1" style="color: #cc6600; text-decoration: none;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">1965</span></span></a><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;"> et interprété par Buster Keaton.</span></span><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;"><o:p></o:p></span></span></b></div>
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<b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #cccccc;">Ce film n’étant pas sonorisé, Simon Sieger, pianiste, en improvisera en live l’accompagnement musical<o:p></o:p></span></span></b></div>
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<b><span class="Apple-style-span" style="color: #cc0000;"><b><b><b><span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">Ce texte de Beckett, </span></span></span><span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;"> écrit en 1974 en anglais sous le titre </span></span><i><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">That Time</span></span></i><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;"> est publié d’abord à Londres chez Faber and Faberen en 1976. Première publication de la traduction française de l’auteur aux Éditions de Minuit en 1978, sous forme d’une plaquette au tirage limité</span></span></span><span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;"> puis publié en 1982 aux éditions de Minuit, dans le recueil </span></span><b><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">Dramaticules</span></span></b><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">, traduit en français par lui même est selon lui, il le </span></span></span><span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">dira plus tard, "frère de Pas moi". Il</span></span></span><span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;"> fut créé en 1983 au Théâtre Gérard Philippe par David Warrilow.</span></span></span></b></b></b></span></b></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;"> Le texte met en relations un visage de vieillard X qui écoute trois voix. Ce sont sans doute celles de ce même personnage. Elles évoquent plusieurs « cette fois » moments déterminants, catastrophiques mais chers, de sa supposée existence. Ces voix, dans la mise en scène beckettienne, sont enregistrées<o:p></o:p></span></span></span></div>
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<span style="font-family: "symbol";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">·</span></span><span style="font-family: "times new roman"; font-size: 7pt; line-height: normal;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;"> </span></span></span></span><span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">Motif de la Voix A : -le retour de X adulte dans un jardin où il avait l’habitude de se cacher enfant et le trajet dans la ville pour y arriver<o:p></o:p></span></span></span></div>
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<span style="font-family: "symbol";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">·</span></span><span style="font-family: "times new roman"; font-size: 7pt; line-height: normal;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;"> </span></span></span></span><span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">Motif de la vois B : l’attente de X à la fenêtre, une nuit de lune et un instant suspendu avec une femme Y sur une pierre près d’un rivage avec derrière des blés, et, devant, le corps d’un rat mort dans l’eau.<o:p></o:p></span></span></span></div>
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<span style="font-family: "symbol";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">·</span></span><span style="font-family: "times new roman"; font-size: 7pt; line-height: normal;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;"> </span></span></span></span><span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;"> Motif de la voix C : La vision par X de lui même dans une vieille bibliothèque, poste, musée. Il est devenu plus ou moins clochard.<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">Ces trois voix appartiennent à trois âges différents de X.<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">A : l’âge adulte en relation avec l’enfance.<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">B : la jeunesse en relation avec l’amour<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: x-small;">C : La vieillesse en relation avec la place sociale</span></span><o:p></o:p></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Dans ce texte, </span></span></span><span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;"> Beckett revient à son idée de tête se détachant sur l'obscurité (la tête entière, pas simplement la bouche), celle d'un Vieillard (assis) dans le noir. De face, un peu décentré. Lumière faible sur le seul visage. Cheveux blancs longs, très blancs, dressés droits. En marge, cette question : 'Tète sur un oreiller blanc ?"
Ici encore cette image lui aura probablement été inspirée par l'œuvre d'un artiste. II s'agit peut-être de William Blake et de ses gravures de Job ou de Dieu le Père. L'image de Man Ray :</span></span></span><span style="font-family: "arial";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;"> </span></span></span><span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Femme aux longs cheveux (une photographie de 1929 aujourd'hui au Muséum of Modem Art de New York) présage en quelque sorte l'effet qu'obtient Beckett en étalant la longue chevelure de son personnage en éventail au-dessus de la tête.<o:p></o:p></span></span></span></div>
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<span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;">Le vieil homme n'ouvre pas la bouche, il lève et baisse simplement les paupières à quatre reprises. A la fin, ses lèvres s'étirent sur un sourire énigmatique, "édenté de préférence".</span></span></span><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><b></b></span></div>
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<b><span style="font-family: "garamond";"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #cccccc;"><o:p></o:p></span></span></span></b></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: #990000;"><a href="http://inpulveremreverteris.blogspot.com/2013/05/une-fee.html">UNE FEE</a></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="font-size: xx-small;"><a href="http://inpulveremreverteris.blogspot.com/2013/05/une-fee.html">http://inpulveremreverteris.blogspot.com/2013/05/une-fee.html</a></span></span></span><br />
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<span class="Apple-style-span" style="color: #990000;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicODuxKeIANTvHXflH2yFmREiEcLm1YrFellMHToK9FKJ37AJ3bXmAoKDbngVfTiBvaNDYGw1zgC3tlVJD_l0h0xQsu5PYOu2f-oyQWWR7Kjm56rsLg9IWn_J4BF9mYLchWp8vJjbw8EU/s1600/1%253A02013-06-28+18.22.06+NB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicODuxKeIANTvHXflH2yFmREiEcLm1YrFellMHToK9FKJ37AJ3bXmAoKDbngVfTiBvaNDYGw1zgC3tlVJD_l0h0xQsu5PYOu2f-oyQWWR7Kjm56rsLg9IWn_J4BF9mYLchWp8vJjbw8EU/s400/1%253A02013-06-28+18.22.06+NB.jpg" width="400" /></a></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee;">LECTURE THEATRALE</span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee;">Un texte de Frédéric Boyer édité chez P.O.L</span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee;">Adaptation et Mise en scène Danielle Bre</span></b></span></div>
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<b><span class="Apple-style-span" style="color: #eeeeee;">avec Julien Asselin, Mathieu Cipriani, Annie Savignat, Amandine Thomazeau</span></b></div>
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<b><span class="Apple-style-span" style="color: #eeeeee;">Un Thriller pour quatre voix qui raconte de façon singulière et machinée </span></b><span style="mso-spacerun: yes;"><b><span class="Apple-style-span" style="color: #eeeeee;"> </span></b></span><b><span class="Apple-style-span" style="color: #eeeeee;">les tribulations d’une jeune femme de l’Est,</span></b><span style="mso-spacerun: yes;"><b><span class="Apple-style-span" style="color: #eeeeee;"> </span></b></span><b><span class="Apple-style-span" style="color: #eeeeee;">grande et blonde, dans une Europe improbable, de cafés triste en hôtels de passage. </span></b><span class="Apple-style-span" style="font-family: "times new roman"; font-size: 16px;"><b><span class="Apple-style-span" style="color: #eeeeee;">Une prostituée ? Non ! Une fée</span></b></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #990000;"><b></b></span></span></span></span></span></span><br />
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="text-decoration: underline;">L'APRES-MIDI DE MONSIEUR ANDESMAS </span></span></b></span></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><b><span class="Apple-style-span" style="text-decoration: underline;"></span></b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: xx-small;"><span class="Apple-style-span" style="color: orange;"> Cliquer sur le lien pour télécharger le dossier complet.</span></span></span></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: xx-small;"><span class="Apple-style-span" style="color: #e69138;"> Cliquez sur le lien pour avoir acceès au photos </span></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #e69138;"><span class="Apple-style-span" style="font-size: xx-small;"><a href="http://inpulveremreverteris.blogspot.fr/2013/05/blog-post.html">http://inpulveremreverteris.blogspot.fr/2013/05/blog-post.html</a></span></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: xx-small;"><br /></span></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;">
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><a href="http://inpulveremreverteris.blogspot.fr/2012/05/andesmas.html"></a>DE MARGUERITE DURAS</span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #990000;"><b></b></span><br /></span></span></span></span>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #990000;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYNjDsL0vmSm48vCx6ugu6RmUYCipEkdq_VQv05-bDRF2dmOBUbQxjPCDEU9Z1XHPliO7vUiHeP1RkAMQ445nHBH05DMil9lfoyEwGJpuLXK1gReKlkx7KLdOkpaozLlT_T6Y_m3y6wfs/s1600/duras_bamberger.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYNjDsL0vmSm48vCx6ugu6RmUYCipEkdq_VQv05-bDRF2dmOBUbQxjPCDEU9Z1XHPliO7vUiHeP1RkAMQ445nHBH05DMil9lfoyEwGJpuLXK1gReKlkx7KLdOkpaozLlT_T6Y_m3y6wfs/s1600/duras_bamberger.jpg" style="cursor: move;" width="320" /></a></b></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee; font-family: "garamond";"><br /></span></b></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #990000;"><b>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Adaptation et mise en scène : Danielle Bré</span></span></b></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Assistanat à la mise en Mathieu Cipriani</span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><o:p></o:p></span></span></span></b></span></span></span></span></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=8244870534812896045#editor/target=post;postID=6052848515210441184;onPublishedMenu=posts;onClosedMenu=posts;postNum=9;src=link" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Création lumière : Jean Luc Hervé</span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Régie son : Laura Devoitin</span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Régie lumière : Felix Doullay</span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><br /></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Projet pour 4 acteurs</span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Monsieur Andesmas : Maurice Vinçon</span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">La fille de Michel Arc : une adolescente de 15 ans : Olive Bernard</span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">L’épouse de Michel Arc : Peggy Péneau</span></span></span><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><o:p></o:p></span></span></span></div>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Le présentateur : Mathieu Cipriani</span></span></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">L’histoire racontée</span></b></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="color: #eeeeee; font-weight: normal;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Ce récit est l'histoire d'une attente : celle d'un vieillard, Monsieur Andesmas, assis sur une chaise en rotin, devant la maison qu'il vient d'offrir à sa fille Valérie. En cette après-midi d'été, il attend l'architecte Michel Arc, qui va être chargé de construire une terrasse sur ce terrain pour Valérie, devant la mer.
Mais Michel Arc ne vient pas...Monsieur Andesmas attend. Il attend jusqu'à ce que la nuit tombe. Au fil de son attente, le rejoindront un chien oranger, une petite fille sans mémoire et une femme, respectivement fille et épouse de Michel Arc.
Car il se pourrait bien que Michel Arc soit en compagnie de Valérie, en bas sur la place du village, en train de danser...
Au rythme du vent, un air de musique, un refrain d'amour, monte jusqu'à la terrasse de Monsieur Andesmas. Une musique symbolisant la jeunesse et la joie, qui atteint de plein fouet la masse vieillissante de Monsieur Andesmas.
Il vit alors une agonie qui n’en est pas une. Car on survit … A quoi somme toute ? A la fin d’un amour ? A l’abandon ? A l’inéluctable de la séparation, à la fin de son désir, à la contagion des autres, simplement peut être à un après-midi d’été, en France, dans les années 1960.</span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-family: "garamond"; font-size: x-large;"><span class="Apple-style-span" style="font-size: 21px;"><i><span class="Apple-style-span" style="text-decoration: underline;"></span><span class="Apple-style-span" style="text-decoration: underline;"></span></i></span></span></b></span></div>
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<span class="Apple-style-span" style="font-family: "garamond"; font-size: x-large;"><i></i></span></b></span>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-family: "garamond"; font-size: x-large;"><i><span class="Apple-style-span" style="font-style: normal;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Les premiers mots adressés aux spectateurs </span></span></span></i></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-family: "garamond"; font-size: x-large;"><i><span class="Apple-style-span" style="color: #eeeeee; font-family: "times" , "times new roman" , serif; font-size: small; font-style: normal;">L’histoire, qu’on va vous raconter ce soir, est une histoire d’aujourd’hui. C’est une histoire sentimentale mais elle s’ancre dans notre société, dans ce temps de mutation et de crise. </span></i></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-family: "garamond"; font-size: x-large;"><i>
<span class="Apple-style-span" style="font-style: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"></span></span></span></span><div class="MsoNormal">
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<o:p><span class="Apple-style-span" style="font-style: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Elle se passe, à côté d’un village du midi, dans un arrière pays, qui pourrait être varois.</span></span></span></span></o:p></div>
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<span class="Apple-style-span" style="font-style: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"></span></span></span></span><div class="MsoNormal">
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<o:p><span class="Apple-style-span" style="font-style: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"> Un vieillard, une jeune fille au seuil de l’adolescence, une jeune mère,</span></span></span></span></o:p></div>
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<span class="Apple-style-span" style="font-style: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"></span></span></span></span><div class="MsoNormal">
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<o:p><span class="Apple-style-span" style="font-style: normal;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"> Elle met en jeu des gens comme vous. Ce ne sont pas non plus des gens simples. Elle va vous être racontée par eux-mêmes.</span></span></span></span></o:p></div>
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<span class="Apple-style-span" style="color: #eeeeee; font-style: normal;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;">Ils reconstituent cet après-midi, pour eux-mêmes, pour laisser se creuser en eux la trace de l’évènement, ils la reconstituent aussi pour vous, car ils en sont devenus les témoins volontaires. Ils nous annoncent quelque chose.</span></span></span></div>
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<b><span class="Apple-style-span" style="color: #990000;"></span></b><br />
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<b><span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: #cc0000;"><span class="Apple-style-span" style="text-decoration: underline;">L' ACHAT DU CUIVRE</span></span></span></span></b></div>
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<span class="Apple-style-span" style="font-size: large; font-weight: bold;"><span class="Apple-style-span" style="font-size: xx-small;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: orange;"> Cliquer sur le lien pour télécharger le dossier complet</span></span></span></span></div>
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<span class="Apple-style-span" style="color: #990000; font-size: large; font-weight: bold;"><span class="Apple-style-span" style="font-size: xx-small;"><span class="Apple-style-span" style="color: orange; font-weight: normal;"></span><a href="https://drive.google.com/file/d/0B6UEuVq8abkEaTlqenFWVzI3YVE/edit?usp=sharing">https://drive.google.com/file/d/0B6UEuVq8abkEaTlqenFWVzI3YVE/edit?usp=sharing</a></span></span></div>
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<span class="Apple-style-span" style="color: #eeeeee; font-family: "times" , "times new roman" , serif; font-weight: bold;">DE BERTOLT BRECHT</span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><b><span class="Apple-style-span" style="font-size: small;">Lecture dramatisée</span></b></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;">Dans le cadre d</span></span></span><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;">ʼ</span></span></span></b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;">une commande du Théâtre Antoine Vitez</span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;">Adaptation : Danielle Bré</span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;">Assistant : Mathieu Cipriani</span></span></span></b></span></div>
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<span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;">Musique : Un Kurt Weil Inconnu</span></span></span></div>
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<span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;">Avec Danielle Bré, Mathieu cipriani et 6 amateurs</span></span></span></div>
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<span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;">étudiants en arts de la scène ou membres de compagnies amateurs</span></span></span></div>
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<b><b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="background-color: #444444;">B</span></span></span></span></b><span class="Apple-style-span" style="color: #eeeeee;"><b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="background-color: #444444;">recht travailla à ce texte durant plusieurs périodes distinctes, clairement identifiables à la lecture des manuscrits rangés so</span></span></span></b><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="background-color: #444444;">us ce titre :</span></span></span></span></b></div>
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<b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="background-color: #444444;">Le titre de « L'Achat du cuivre » renvoie à une métaphore : un marchand de cuivre achète une trompette dont il ne veut payer que la valeur de son poids de métal.</span></span></span></span></b></div>
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<b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="background-color: #444444;">L'Achat du cuivre fut conçu à l'origine comme une sorte de grand oeuvre théorique in progress : à la fois bilan des acquis du théâtre épique « non-aristotélicien », mais surtout fondement d'un travail scénique à venir qui viendrait en retour corriger et enrichir la réflexion. Ce pourquoi, la forme théâtrale pouvait sembler s'imposer afin de donner à ce vaste discours sur le théâtre une scène où il pourrait à la fois se donner à voir et à entendre. Un texte en écho lointain des dialogues de Platon et de ceux des Discorsi de Galilée, mais peut-être aussi des Entretiens sur le fils naturel et du Paradoxe sur le comédien de Diderot que Brecht admirait tout particulièrement.</span></span></span></span></b></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">La fiction</span></span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="background-color: #eeeeee;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="background-color: #444444;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">Un</span></span></span></span><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="background-color: #444444;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;"> c</span></span></span><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">ertains nombre de personnages appartenant au monde du théâtre se retrouve, après une représentation, à la demande d</span></span></span></span></span><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">ʼ</span></span></span></span></b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">un philosophe qui se demande si les imitations que produit l</span></span></span></span><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">ʼ</span></span></span></span></b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">état actuel de la scène peuvent correspondre à ses interêts de philosophe soucieux de l</span></span></span></span><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">ʼ</span></span></span></span></b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">avenir d</span></span></span></span><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">ʼ</span></span></span></span></b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">une société qui doit être considérablement transformée.</span></span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">Participent à la discussion :</span></span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #990000;"><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">LE PHILOSOPHE : souhaite utiliser le théâtre à ses fins, sans autres considérations. Pour lui, le théâtre doit fournit des reproductions fidèles des processus qui se produisent entre les hommes, et permettre au spectateur de prendre position.</span></span></span></span></b></span></div>
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<span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">LE COMÉDIEN : souhaite s'exprimer. Il veut qu'on l'admire. La fable et les caractères ne lui servent pas à autre chose. </span></span></span></span><i><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">(cʼest du moins ce que dit Brecht)</span></span></span></span></i></div>
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<span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">LA COMÉDIENNE souhaite un théâtre qui ait une fonction sociale, éducative. Elle est politisée. (</span></span></span></span><i><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">S</span></span></span></span></i><i><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">erait-elle marxiste ? sans doute mais </span></span></span></span></i><i><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">rappelons-nous lʼépoque !</span></span></span></span></i><i><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">)</span></span></span></span></i></div>
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<span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">LE DRAMATURGE : </span></span></span></span><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">(</span></span></span></span></b><i><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;"> au sens allemand du terme à savoir le conseiller littéraire qui assiste le metteur en cène)</span></span></span></span></i><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;"> </span></span></span></span></b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">Il se met à la disposition du</span></span></span></span></div>
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<span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">philosophe et s'engage à mettre ses compétences et ses connaissances au service d'une transformation du théâtre selon les vues du philosophe. Il en espère une renaissance du théâtre.</span></span></span></span></div>
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<span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">L'ÉLECTRICIEN : (</span></span></span></span><i><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">Brecht dit quʼil représente le public nouveau</span><span class="Apple-style-span" style="color: black;">).</span></span></span></span></i><b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: black;"> </span></span></span></span></b><span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: black;">C</span><span class="Apple-style-span" style="color: white;">'est un ouvrier, et il est mécontent du monde tel qu'il est.</span></span></span></span></div>
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<span class="Apple-style-span" style="background-color: black;"><span class="Apple-style-span" style="font-family: "times" , "times new roman" , serif;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: white;">Le fil de la discussion est le suivant : A quelles conditions le philosophe peut-il utiliser le théâtre pour servir ses fins propres. La communauté théâtrale dans ses diverse composantes est-elle prête à ce </span><span class="Apple-style-span" style="color: black;">renversement ?</span></span></span></span></div>
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inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-60528485152104411842012-05-01T03:13:00.000-07:002018-08-09T03:01:46.172-07:00Spectacles en cours<div style="text-align: center;">
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<b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: red;">LES 3 SOEURS</span></span></b></div>
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<b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: #cccccc;">d'après Anton Tchekhov</span></span></b><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXznjAvNO11bmFc0O_T8cKdZiEqWQ3gA1jzFGKcyJTuZJyDuee02yKrSXQRCM4AeBOhElqGc4YdUb6REzbpySOp-banKDSUbgpZfb580_NV-aM8_pD-2sUtjlLYCt3bxwZqIQ8BAR8EJU/s1600/3soeurs1chr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXznjAvNO11bmFc0O_T8cKdZiEqWQ3gA1jzFGKcyJTuZJyDuee02yKrSXQRCM4AeBOhElqGc4YdUb6REzbpySOp-banKDSUbgpZfb580_NV-aM8_pD-2sUtjlLYCt3bxwZqIQ8BAR8EJU/s400/3soeurs1chr.jpg" width="400" /></a></div>
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<a href="https://drive.google.com/file/d/1FXn9Hr9JYRxtMnLcNDO1RcBNRgLC0DIo/view?usp=sharing">https://drive.google.com/file/d/1FXn9Hr9JYRxtMnLcNDO1RcBNRgLC0DIo/view?usp=sharing</a></div>
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<b style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">Les Trois Sœurs<o:p></o:p></span></b></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">D’après Anton Tchekhov<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">Adaptation, mise en scène et scénographie : Danielle Bré<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">Assistanat à la Mise en scène : Romane Pineau<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">Macha :Helène Force<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">Olga : Stina Soliva<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">Irina : Laurène Fardeau<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">Le partenaire universel : Mathieu Cipriani<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">Collaboration à la scénographie et construction : Christophe Chave</span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;"><o:p> </o:p><span style="text-align: center;">Création Lumières : Manon Deplaix</span></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;"><o:p> </o:p>Régie générale : Vivien Berthaud</span></span></div>
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<o:p style="background-color: #444444;"><span style="background-color: #444444; color: #999999;">Chargée de production : Nadia Lacchin </span></o:p></div>
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<i><b><span style="background-color: #444444; color: #990000;">La création a eu lieu le 1 et 2 Février 2018</span></b></i><br />
<i style="mso-bidi-font-style: normal;"><b><span style="background-color: #444444; color: #990000;"><span style="mso-spacerun: yes;"> </span>Théâtre du Bois de l’Aune à Aix-en-Provence.</span></b></i></div>
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<b><span style="background-color: #444444; color: #999999;"><o:p> </o:p>Coproduction théâtre du Bois de l’Aune, 3 bis F, Théâtre Antoine Vitez, Compagnie In pulverem reverteris</span></b></div>
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<b><span style="background-color: #444444; color: #999999;">Soutien : Forum de Carros, Théâtre comoedia Aubagne, Théâtre Joliette-Minoterie Marseille<o:p></o:p></span></b><br />
<b><span style="background-color: #444444; color: #999999;">avec l'aide du Pôle arts de la scène et de la Spedidam</span></b></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><span style="background-color: #444444;">L</span><span style="background-color: #444444;"><span style="font-size: 13pt;"><span style="background-color: #444444;">es T</span><span style="background-color: #444444;">rois Sœurs : Olga / Irina/Macha. La pièce débute par la fête d'Irina, un an après la mort de leur père, marquant la fin du deuil et le début, croit-on, d'une nouvelle vie. La petite ville de province, près de laquelle se trouve la demeure, accueille un régiment qui vient d'arriver. La vie des Prozorov s'avère dominée par l'ennui et n'est rythmée que par les visites d'officiers venus de la garnison voisine, et devenus peu à peu comme des membres de cette famille atteinte du mal de vivre. Un rêve habite cependant les trois sœurs : retourner à Moscou, la ville de leur enfance heureuse. Des relations amoureuses improbables se tissent alors autour de ces trois femmes. Puis le régiment change de garnison laissant les trois femmes dans une solitude plus douloureuse : départ, duel entrainant la mort d’un fiancé potentiel. La vie reprend. Désormais elle ne changera plus, laide, mesquine.</span></span><span style="color: #cccccc; font-size: 13pt;"><o:p></o:p></span></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Pour nous il va s’agir<span style="mso-spacerun: yes;"> </span>de faire partager aux spectateurs l’expérience que font les quatre artistes présents sur le plateau de la Fable des <i style="mso-bidi-font-style: normal;">Trois Sœurs de Tchékhov </i>: expérience non pas linéaire mais vive, ouverte à un certain désordre, en prise avec la complexité de l’œuvre, avec ses contradictions, avec sa charge d’identification <span style="mso-spacerun: yes;"> </span>mais aussi avec le geste critique qu’elle peut générer.<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Il s’agit<span style="mso-spacerun: yes;"> </span>en fait de créer un oeuvre dérivée de l’œuvre fondatrice. Que se passe-t-il si on plante une grande oeuvre<span style="mso-spacerun: yes;"> </span>du passé dans un nouveau terrain appartenant à une autre époque, en l’occurrence le contexte de création d’aujourd’hui ? <span style="mso-spacerun: yes;"> </span>Elle germe à nouveau car bien qu’accomplie et relevant d’un autre temps, elle a gardé sa capacité de germination. Une nouvelle oeuvre apparaît alors non pas interprétée à nouveau<span style="mso-spacerun: yes;"> </span>mais comme tangente à la première.<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">L’expérience des acteurs traversera en particulier<span style="mso-spacerun: yes;"> </span>les rapports possibles nombreux entre la morosité des trois femmes, leur absence d’avenir et l’humeur de notre époque contemporaine : elle en dessinera à la fois l’atmosphère sensible<span style="mso-spacerun: yes;"> </span>mais elle fera aussi l’analyse critique d’un aveuglement et<span style="mso-spacerun: yes;"> </span>d’une attitude<span style="mso-spacerun: yes;"> </span>passive qui construit de la fatalité par manque de lucidité. C’est<span style="mso-spacerun: yes;"> </span>donc un détour pour parler des caractéristique de notre occident contemporain qui partage certains motifs<span style="mso-spacerun: yes;"> </span>avec l’univers tchekhovien : un monde où le public et le privé, le politique et l’individuel, ne se distinguent plus, un monde où le futur désiré est de revenir à un âge d’or du passé, un monde où la pensée ronronne comme un animal familier telle aujourd’hui la parole médiatique… Aucune possibilité d’y accrocher sérieusement une conviction ou des motifs de foi. Un société engluée aussi dans une convivialité généralisée et permanente qui cimente les individus dans la socialité<span style="mso-spacerun: yes;"> </span>visqueuse, qui correspond dans les petits groupes et les familles, à l’inhumanité de la masse qui est déjà ou encore prête pour la terreur et pour le charnier.<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Un adaptation du texte pour quatre protagonistes a éte réalisée.<b style="mso-bidi-font-weight: normal;"> </b>Ca a été une façon de s’adapter aux conditions économiques des productions théâtrales contemporaines (du moins des nôtres) ne permettant pas de disposer sur le plateau de la population nécessaire à l’incarnation complète de la fable Nous ne le prenons pas comme un pis-aller ou un obstacle. Au contraire, c’est une façon très concrète et matérielle de faire agir les conditions de bouturage de l’œuvre dérivée qui est notre objectif : non pas par un mode de lecture ni un apriori concernant le sens, mais par l’intervention du contexte réel de création. On définit les conditions d’émergence et de signifiance de l’œuvre nouvelle non pas à partir de ce que l’on sait ni de ce qu’on croit mais à partir de ce que l’on peut et de ce qu’on trouve.<o:p></o:p></span></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Si on devait raconter ce qui va se passer : on pourrait<span style="mso-spacerun: yes;"> </span>appeler la pièce <i style="mso-bidi-font-style: normal;">l’addiction aux Trois sœurs</i>. Et on pourrait dire …<o:p></o:p></span></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Les spectateurs sont invités à participer un rituel, managé par trois actrices. Elle pourraient être le comble des actrices, dans la mesure où elle vivent<span style="mso-spacerun: yes;"> </span>avec une intensité démesurée le rapport complexe personne /personnages, un des nœuds de leur métier. Elles entretiennent en particulier un rapport quasi névrotique à la pièce de Tchékhov, car à la fois, en tant qu’actrices, elles sont positivement fascinées par cette oeuvre et par les superbes personnages qu’elle leur offre à incarner mais aussi en tant que femmes, elles ne supportent pas l’aveuglement, il faut bien le dire la bêtise des Macha-Irina-Olga qu’elles ressentent pourtant obscurément comme des soeurs. C’est cette contradiction entre la fascination et la hargne critique qui motive leur addiction qui comme toute addiction à sa face positive : être un lieu de jouissance et sa face sombre : produire de l’auto destruction et du désespoir. <o:p></o:p></span></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Sont associés à ce rituel, comme autant d’ images fétiches, des extraits d’un film fondateur de<span style="mso-spacerun: yes;"> </span>film de Télévision de Jean Prat date de 1960, qu’elles consomment avec ivresse dans des moments précis de la cérémonie.<o:p></o:p></span></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Il y aussi comme assistant de ce rituel, un camarade à leur service, mais aussi un peu soigneur qui joue le rôle du partenaire universel permettant de reconstituer la fable. Il le fait au départ sans implication particulière mais quelque chose le rattrape. Ses goûts littéraires vont plutôt à la poésie en particulier cette de Michel Houellebecq dont il partage un certain pessimisme.<o:p></o:p></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Entre les actes apparaîtront ainsi<span style="mso-spacerun: yes;"> </span>de »s extraits d’un recueil de poèmes de Michel Houellebecq <i style="mso-bidi-font-style: normal;">« La poursuite du Bonheur » </i>plans de coupe littéraires introduisant directement les motifs de la sensibilité contemporaine ;<o:p></o:p></span></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Enfin un camarade musicien est là aussi pour rythmer ce rituel et l’accompagner émotionnellement.<o:p></o:p></span></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">La question est la suivante : la contradiction va t –elle se déployer ? Vont-elle en finir avec cette addiction où vont elle remettre ça demain ?<o:p></o:p></span></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Ce qui se passe est à la fois sublime et dérisoire, parfois farcesque mais toujours sensible. <o:p></o:p></span></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;">Ce spectacle s’adresse au plus large public. Il est à la fois classique et contemporain. Il est à la fois stimulant pour la pensée et émotionnellement riche. <o:p></o:p></span></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><br /></span></div>
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<span style="background-color: #444444; color: #999999; font-family: "times" , "times new roman" , serif; font-size: small;"><span style="background-color: black;">Nous avons la volonté de faire de la représentation, une expérience de théâtre à vivre avec les acteurs, stimulant activité et jugement et aussi permettant<span style="mso-spacerun: yes;"> </span>la traversée d’une belle histoire à emmener à la maison. </span><span style="background-color: #444444;"><o:p></o:p></span></span></div>
<span style="background-color: #444444; font-family: "times" , "times new roman" , serif; font-size: small;"><span style="font-size: xx-small;"><span style="color: #999999; font-style: italic;"></span><br /></span>
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<b style="background-color: white;"><span style="background-color: #444444; font-family: "times" , "times new roman" , serif; font-size: small;"><div style="text-align: center;">
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</span></b></h3>
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<b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: #cc0000;">LE POIDS DU PAPILLON</span></span></b><br />
<a href="https://www.blogger.com/blogger.g?blogID=8244870534812896045" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></a><b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: #cccccc;">de Erri de Luca</span></span></b></div>
<b>Lecture théâtralisée </b><br />
<b><br /></b>
<br />
<img height="238" src="webkit-fake-url://224c9481-7464-4d9e-995f-24040790dbb4/application.pdf" width="320" /><b><br /></b>
<b><br /></b>
<br />
<div style="text-align: left;">
<b> </b><i> Gilles Aillaud</i></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<b><br /></b>
<b><a href="https://drive.google.com/file/d/1rTpjhgoXAFC7PtYLhWjD3ZcFcYeLqagp/view?usp=sharing">https://drive.google.com/file/d/1rTpjhgoXAFC7PtYLhWjD3ZcFcYeLqagp/view?usp=sharing</a></b>
<b><span style="color: #990000;"><br /></span></b>
<b><i><span style="color: #990000;"><br /></span></i></b><br />
<b><i><span style="color: #990000;"><br /></span></i></b>
<b><i><span style="color: #990000;"><br /></span></i></b>
<b><i><span style="color: #990000;">La création aura lieu le 6 Octobre 2018 à la Médiathèque de Gardanne</span></i></b><br />
<b><br /></b>
<b>Coproduction Opening Nights - Par le villages</b><br />
<br /></div>
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<span style="background-color: #444444;"><span style="background-color: #444444; color: #999999;"> <b>Mise en scène : Danielle Bré<o:p></o:p></b></span></span></div>
<div style="margin: 0px;">
<span style="background-color: #444444;"><span style="background-color: white; color: #999999;"><b style="background-color: #444444;">Assistanat : Romane Pineau</b></span></span></div>
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<span style="background-color: #444444;"><span style="background-color: white; color: #999999;"><b style="background-color: #444444;">avec</b></span></span></div>
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<span style="background-color: white;"><span style="color: #999999;"><b style="background-color: #444444;"><br /></b></span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: white; color: #999999;"><b style="background-color: #444444;">Gilles Le Moher</b></span></span></div>
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<a href="https://www.blogger.com/blogger.g?blogID=8244870534812896045" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=8244870534812896045" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://www.blogger.com/blogger.g?blogID=8244870534812896045" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><span style="color: #eeeeee;"><span style="background-color: white; color: #999999;"><b style="background-color: #444444;">Agnès Pétreau</b></span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: white; color: #999999;"><b style="background-color: #444444;">Maxime Reverchon </b></span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: #444444;"><br /></span></span></div>
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<span style="color: #eeeeee; font-family: "times" , "times new roman" , serif;"><span style="background-color: #444444;"><b><br /></b></span></span></div>
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<span style="color: #cccccc; font-family: "times" , "times new roman" , serif;"><b>Quelque
part dans les Alpes italiennes, un chamois domine sa harde depuis des années.
D’une taille et d’une puissance exceptionnelles, l’animal pressent pourtant que
sa dernière saison est arrivée, sa suprématie est désormais menacée par les plus
jeunes. En face de lui, un braconnier revenu vivre en haute montagne, ses
espoirs en la Révolution déçus, sait lui aussi que le temps joue contre lui. À
soixante ans passés, sa dernière ambition de chasseur sera d’abattre le seul
animal qui lui ait toujours échappé malgré son extrême agilité d’alpiniste, ce chamois
à l’allure majestueuse…<o:p></o:p></b></span></div>
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<b><br /></b></div>
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<span style="color: #cccccc; font-family: "times" , "times new roman" , serif;"><b>C’est
une histoire toute simple qui fait appel à nos racines à la nostalgie d’un mode
de vie rural traditionnel, encore vivant dans nos arrières pays et lors de nos
vacances<span style="mso-spacerun: yes;"> </span>mais qui l’amène aussi ailleurs,
de façon<span style="mso-spacerun: yes;"> </span>naturelle, comme parfois le
spectacle de la nature nous donne soudain à penser.<o:p></o:p></b></span></div>
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<b><br /></b></div>
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<span style="color: #cccccc; font-family: "times" , "times new roman" , serif;"><b>Erri
De Luca partage ici sa vision de l’homme et de la nature, nous parle de façon légère de la montagne, de la solitude
et du désir, de puissance et de la finitude … <span style="font-size: 15pt;"><o:p></o:p></span></b></span></div>
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<span style="color: #cccccc;"><b><span style="font-family: "times" , "times new roman" , serif;">Ce
travail prend place dans les formes légères et littéraires correspondant à un
des circuits de diffusion de la compagnie : Bibliothèques, petites lieux,
bistrots de pays, centres sociaux, programmation hors les murs des théâtres.</span><span style="font-family: "times"; font-size: medium;"><o:p></o:p></span></b></span></div>
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inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-49485742943437975082012-04-30T07:26:00.000-07:002012-05-04T09:23:58.037-07:00Récréation<div class="separator" style="clear: both; text-align: center;">
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<b><span style="color: #eeece1; font-family: Times; font-size: 24pt;">IN PULVEREM <o:p></o:p></span></b></div>
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<b><span style="color: #eeece1; font-family: Times; font-size: 24pt;">REVERTERIS<o:p></o:p></span></b></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="font-size: 21px;"><br /></span></span></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="font-size: 21px;"><br /></span></span></div>
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<b><i><span style="color: #8c0000; font-family: Arial; font-size: 32pt;">RECREATION<o:p></o:p></span></i></b></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><br /></span></div>
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<b><i><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #eeeeee;">Montage
original à partir de
l’ensemble des textes de Robert Walser</span><span class="Apple-style-span" style="color: #eeeeee;"><o:p></o:p></span></span></i></b></div>
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<b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: large;"> </span></span></span></i></b><b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: large;">Adaptation et mise en scène : Danielle Bré</span></span></span></i></b><b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;"><o:p></o:p></span></span></i></b></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><br /></span></div>
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<b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;">Assistant à la mise en scène et à la dramaturgie
: Mathieu Cipriani</span></span></i></b><b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;"><o:p></o:p></span></span></i></b></div>
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<b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;">Assistante : Sofy Jordan</span></span></i></b><b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;"><o:p></o:p></span></span></i></b></div>
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<b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;">Scénographie et lumières : Christophe Chave</span></span></i></b><b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;"><o:p></o:p></span></span></i></b></div>
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<b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;"> Avec : Pierrick Bonjean, Yoann Goujon,
Bryce Quétel, Charlotte Ramond, Stina Soliva, Amandine Thomazeau</span></span></i></b><b><i><span style="font-family: Times;"><span class="Apple-style-span" style="color: #eeeeee;"><o:p></o:p></span></span></i></b></div>
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<b><i><span style="font-family: Times; font-size: 11pt;"><span class="Apple-style-span" style="color: #eeeeee;">Partenaires actuels : Théâtre Antoine Vitez
Aix-en-Provence, Théâtre de la Minoterie Marseille, Théâtre Massalia
Marseille, La Distillerie d’Aubagne, Théâtre Comoedia Aubagne, « Par
Les Villages » Aix-en-Provence, Theatre la Vignette Montpellier,
</span><span class="Apple-style-span" style="color: white;">Dispositif Saison 13 CG 13</span><span class="Apple-style-span" style="color: white;"><o:p></o:p></span></span></i></b></div>
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<b><i><span style="font-family: Arial;"><span class="Apple-style-span" style="color: #990000;">« Avec le
soutien du Fonds d’Insertion pour Jeunes Artistes Dramatiques, Région Provence-Alpes-Côte
d'Azur».</span><span class="Apple-style-span" style="color: #990000;"><o:p></o:p></span></span></i></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh81B-8J9M0sW_wzGoa0iS8h2gqRsGyWh1z_IWkUMvL2ycjt0Urjz4m-T36Kdw-i5h9ZoLQI_ZZdNCPm4gxaVH3FV_YLEKUlaGPutVUbyiPMXEBtVE5O7aV9UntvTc9FWKNaWYL_JMHl2A/s1600/photos+recre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh81B-8J9M0sW_wzGoa0iS8h2gqRsGyWh1z_IWkUMvL2ycjt0Urjz4m-T36Kdw-i5h9ZoLQI_ZZdNCPm4gxaVH3FV_YLEKUlaGPutVUbyiPMXEBtVE5O7aV9UntvTc9FWKNaWYL_JMHl2A/s320/photos+recre.jpg" width="320" /></a></div>
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<span style="font-family: Helvetica;"><span class="Apple-style-span" style="color: #f3f3f3;">Nous sommes dans la permanence d’un lycée quelconque.
Six adolescents, trois filles, trois garçons vivent devant nous et nous parlent
: de l'école, de leurs amitiés et de leur amours, de leur parents, de leur
avenir, de l'état du monde… Il sont à la fois drôles et touchants…</span><span class="Apple-style-span" style="color: #f3f3f3;"><o:p></o:p></span></span></div>
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<span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;"><br /></span></span></div>
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<i><span style="font-family: Georgia;"><span class="Apple-style-span" style="color: #f3f3f3;">Je </span></span></i><i><span style="font-family: Georgia;"><span class="Apple-style-span" style="color: #f3f3f3;">ne sais
pourquoi la question de l’adolescence est devenue soudain une préoccupation
présente pour moi. Peut-être qu’à mon âge, les enjeux compétitifs de la vie
active s’éloignent et qu’on est devant la vieillesse avec le sentiment du
provisoire, comme à dix-huit ans, entre
son passé et son avenir. Comme alors, on
se sent en danger de s’éteindre ou de s’éveiller, de se soumettre au temps ou
de construire un éternel présent.</span><span class="Apple-style-span" style="color: #f3f3f3;"><o:p></o:p></span></span></i></div>
<div class="MsoNormal" style="margin-left: 14.2pt; text-align: justify; text-justify: inter-ideograph;">
<i><span style="font-family: Georgia;"><span class="Apple-style-span" style="color: #f3f3f3;">Mon intérêt pour la
jeunesse semble se relier à un vaste questionnement
actuel qui se déploie sur fond de violence des lycées, identité des
cultures urbaines, chômage important des jeunes diplômés, enfin pression de
l’important marche économique rattaché à
cette tranche d’âge. Si mon intérêt converge avec le courant actuel, il n’en
épouse en rien les motifs. Rien de l’enquête ou de l’angoisse sociologique dans mon positionnement, rien de
la volonté de percer un secret qui n’est que
le produit de l’indifférence collective. Mon projet est seulement, grâce à l’œuvre de Walser, de
m’adresser conjointement aux jeunes et aux autres universellement. Je veux
tenter de rendre consistante une image
de jeunesse possible pour le temps présent. J’y engage une parole qui tente
d’ouvrir un dialogue grâce à de nouvelles identifications, dialogue où celui
qui tend le miroir est aimant et prend le risque de l’altérité.</span><span class="Apple-style-span" style="color: #f3f3f3;"><o:p></o:p></span></span></i></div>
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<i><span style="font-family: Georgia;"><span class="Apple-style-span" style="color: #f3f3f3;">Danielle Bré</span><span class="Apple-style-span" style="color: #f3f3f3;"><o:p></o:p></span></span></i></div>
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<a href="https://docs.google.com/document/d/12wc5onOvYLaiUnsGd08AMHwLOfvEX6B687E89fv93I0/edit"><span class="Apple-style-span" style="color: purple;">Télécharger le dossier complet</span></a><br />
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<br />inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-45267481462847679202008-08-21T17:20:00.000-07:002015-08-27T04:55:57.132-07:00 Présentation de la compagnie<span xmlns=""></span><br />
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<span style="font-family: Times;"><strong><span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-style-span" style="font-size: large;">IN PULVEREM REVERTERIS</span></span></strong></span></div>
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<span style="color: #a6a6a6; font-family: Times;"><strong><span class="Apple-style-span" style="font-size: large;">HISTORIQUE</span></strong></span></div>
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<span class="Apple-style-span" style="color: #a6a6a6; font-family: 'Times New Roman';">La compagnie est fondée en 1980 par Danielle Bré qui monte et tourne 17 spectacles jusqu'en 1997</span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1981/1982 : </span><span style="color: #d9d9d9;"><strong>J'ai Mort</strong></span><span style="color: #a6a6a6;"> de Joseph Joliet </span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1982/ 1983: </span><span style="color: #d9d9d9;"><strong>Les gens déraisonnables sont en voie de disparition</strong></span><span style="color: #a6a6a6;">. P Handke</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1982/ 1983: </span><span style="color: #d9d9d9;"><strong>Grand et Petit</strong></span><span style="color: #a6a6a6;"> de Botho Strauss </span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1983/1984: </span><span style="color: #d9d9d9;"><strong>Palerme, Pignans, Port au Prince</strong></span><span style="color: #a6a6a6;"> de N Voltz et D Bré</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1985/ 1986 : </span><span style="color: #d9d9d9;"><strong>Britannicus</strong></span><span style="color: #a6a6a6;"> de Racine </span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1986: </span><span style="color: #d9d9d9;"><strong>Les soirées </strong></span><span style="color: #a6a6a6;">de Pierre Angelici d'après 1993:Racine et Bataille; </span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1987: </span><span style="color: #d9d9d9;"><strong>Les vagues</strong></span><span style="color: #a6a6a6;"> de Virginia Woolf</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1987/1988: </span><span style="color: #d9d9d9;"><strong>Les Récits aigres-doux</strong></span><span style="color: #a6a6a6;"> d'après Calvino et Manganelli</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1998/1989 : </span><span style="color: #d9d9d9;"><strong>"Et qui sait ce qu'un jour, ce fils peut entreprendre "</strong></span><span style="color: #a6a6a6;"> Racine et quelques autres</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1989/1990: </span><span style="color: #d9d9d9;"><strong>Protocoles</strong></span><span style="color: #a6a6a6;"> de Edoardo Sanguinetti</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1990/1991:</span><span style="color: #d9d9d9;"><strong>La métaphore du gisant </strong></span><span style="color: #a6a6a6;">d'après Beckett</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1991/1992: </span><span style="color: #d9d9d9;"><strong>Le Matériau Fleisser</strong></span><span style="color: #a6a6a6;"><br /> </span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1992/ 1993 : </span><span style="color: #d9d9d9;"><strong>Purgatoire à Ingolstadt</strong></span><span style="color: #a6a6a6;"> de Marieluise Fleisser</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1993:1994: </span><span style="color: #d9d9d9;"><strong>À présent, pour en finir avec la nostalgie</strong></span><span style="color: #a6a6a6;"> : Botho Strauss, P Handke, J Baudrillard, JF Lyotard, M Blanchot, E Levinas.</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1995: </span><span style="color: #d9d9d9;"><strong>Un amour impossible</strong></span><span style="color: #a6a6a6;"> de Giorgio Manganelli</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1996/1997: </span><span style="color: #d9d9d9;"><strong>Nous les héros</strong></span><span style="color: #a6a6a6;"> de JL Lagarce </span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1996/9997 : </span><span style="color: #d9d9d9;"><strong>Le petit cirque de Monsieur K</strong></span><span style="color: #a6a6a6;"> d'après Kafka </span></span></div>
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<span style="color: #a6a6a6; font-family: 'Times New Roman';">À partir de 1997 Danielle Bré ouvre le travail de la <span class="Apple-style-span" style="color: black; font-family: Times;"><span class="Apple-style-span" style="color: #999999;"><span class="Apple-style-span" style="color: #a6a6a6; font-family: 'Times New Roman';">compagnie à d'anciens comédiens ou partenaires prenant une autonomie artistique. Il s'agissait de réagir à l'impasse de l'équation : un créateur = une cellule de production et de créer une cohérence de projets artistiques autour de thèmes collectifs ou de questions esthétiques communes.</span></span></span></span></div>
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<span style="color: #a6a6a6; font-family: 'Times New Roman'; font-size: 14pt;">Mises en scène de Danielle Bré après 1997</span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1998/1999 : </span><span style="color: #d9d9d9;"><strong>La vie de Galilée</strong></span><span style="color: #a6a6a6;"> de Brecht</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1999/ 2000 : </span><span style="color: #d9d9d9;"><strong>Navigue mais soit net</strong></span><span style="color: #a6a6a6;"> d'après Modèle Réduit de Danielle Mémoire</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2001/2002 </span><span style="color: #d9d9d9;"><strong>Tokyo notes</strong></span><span style="color: #a6a6a6;"> de Horiza Hirata</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2005 : Joue le rôle de Pélagie Vlassova dans </span><span style="color: #d9d9d9;"><strong>la Mère</strong></span><span style="color: #a6a6a6;"> de Brecht</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2005: </span><span style="color: #d9d9d9;"><strong>L'Orage </strong></span><span style="color: #a6a6a6;">d'Alexandre Ostrovski</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2007 : </span><span style="color: #d9d9d9;"><strong>Insupportable mais tranquille</strong> :</span><span style="color: #a6a6a6;"> Montage philosophique pour les classes moyennes</span></span></div>
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<span class="Apple-style-span" style="color: #999999;">2009</span> : <b><span class="Apple-style-span" style="color: #cccccc;">Des papis dans la tête</span></b>, <span class="Apple-style-span" style="color: #999999;">fugue théâtrale cubiste pour Pablo Picasso </span><br />
<span class="Apple-style-span" style="color: #999999;">2010/2011:</span> <b><span class="Apple-style-span" style="color: #cccccc;">RéCréation</span><span class="Apple-style-span" style="color: #999999;"> </span></b><span class="Apple-style-span" style="color: #999999;">d'aprés Robert Walser</span></div>
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<span class="Apple-style-span" style="color: #999999;">2012</span> : <b><span class="Apple-style-span" style="color: #cccccc;">L'Après-midi de Mr Andesmas</span></b> <span class="Apple-style-span" style="color: #999999;">de Marguerite Duras</span><br />
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<span class="Apple-style-span" style="color: #999999;"> 2013: <b><span class="Apple-style-span" style="color: #cccccc;">Une Fée </span></b>de Fréderic Boyer</span></div>
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<span class="Apple-style-span" style="color: #999999;"> 2015 </span><span class="Apple-style-span" style="color: #999999;">: <b><span class="Apple-style-span" style="color: #cccccc;">Randonnée en terres beckettiennes </span></b>autour de Samuel Beckett</span></div>
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<span class="Apple-style-span" style="color: #666666;"> 2015 </span><span class="Apple-style-span" style="color: #cccccc;"><b>L'achat du cuivre</b></span><span class="Apple-style-span" style="color: #666666;"> de Bertold Brecht</span></div>
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<span class="Apple-style-span" style="color: #666666;"> </span><span class="Apple-style-span" style="color: #999999;">2015/2016: </span><span class="Apple-style-span" style="color: #cccccc;"><b>Le carnet d'automne</b></span><span class="Apple-style-span" style="color: #999999;"> d'après Pascal Quignard</span></div>
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<b><span class="Apple-style-span" style="font-weight: normal;"><b><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #666666;"><span class="Apple-style-span"><span class="Apple-style-span" style="background-color: white;"> </span></span></span></span></b></span></b></div>
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<span style="color: #a6a6a6; font-family: 'Times New Roman'; font-size: 14pt;">Mises en scène d'Angela Konrad après 1997</span><br />
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1998 : </span><span style="color: #d9d9d9;"><strong>Noli me tangere</strong></span><span style="color: #a6a6a6;"> d'après le Pays lointain de Jean-Luc Lagarce </span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">1999 : </span><span style="color: #d9d9d9;"><strong>T. T.</strong></span><span style="color: #a6a6a6;"> d'après <span style="text-decoration: underline;">Torquato Tasso</span> de Goethe. </span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2000 :</span><span style="color: #d9d9d9;"><strong>Tales and tears</strong></span><span style="color: #a6a6a6;"> d'après Bond et Shakespeare.</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2001 :</span><span style="color: #d9d9d9;"><strong>Time is out of Join</strong></span><span style="color: #a6a6a6;">, part 1.</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2001 : </span><span style="color: #d9d9d9;"><strong>Baal </strong></span><span style="color: #a6a6a6;">ou interrelations des êtres vivants.</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2002 : </span><span style="color: #d9d9d9;"><strong>Time is out of Join part 2</strong></span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2002 : </span><span style="color: #d9d9d9;"><strong>The wood began to move </strong></span><span style="color: #7f7f7f;">d'après Macbeth de Shakespeare</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2002 : </span><span style="color: #d9d9d9;"><strong>Robert ou ce qu'il en reste</strong></span><span style="color: #a6a6a6;"> dans le cadre d'Opening Nights 3</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2002 : </span><span style="color: #d9d9d9;"><strong>More than Reality</strong></span><span style="color: #a6a6a6;"> film de Culture fiction Décembre 2002</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2004 /2005 : </span><span style="color: #d9d9d9;"><strong>Richard III</strong></span><span style="color: #a6a6a6;"> de Shakespeare </span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2006 : </span><span style="color: #d9d9d9;"><strong>La Mère</strong></span><span style="color: #a6a6a6;"> de B Brecht</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2006 : </span><span style="color: #d9d9d9;"><strong>Catherine for ever</strong></span><span style="color: #a6a6a6;"> ,en collaboration avec Danielle Bertotto</span></span></div>
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<span style="color: #a6a6a6; font-family: 'Times New Roman';">2006 : Participation à l'exposition collective au Théâtre des Bernardines </span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2007 : </span><span style="color: #d9d9d9;"><strong>Traumzeit</strong></span><span style="color: #a6a6a6;"> d'après Paysage soue surveillance de Heiner Müller</span></span></div>
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<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2007 : </span><span style="color: #d9d9d9;"><strong>Requiem pour un maître et son chien </strong></span><span style="color: #a6a6a6;">d'après Molière, Mozart et DG Gabilly</span></span><br />
<span style="font-family: 'Times New Roman';"><span style="color: #a6a6a6;">2008/2009 : </span><span class="Apple-style-span" style="color: #eeeeee;"><b><span class="Apple-style-span" style="color: #cccccc;">Macbeth de Heiner Müller</span> </b></span><span style="color: #a6a6a6;">d'après shakespeare</span></span><br />
<span class="Apple-style-span" style="color: #a6a6a6; font-family: 'Times New Roman';">2010 : <b><span class="Apple-style-span" style="color: #cccccc;">Au joyeux Tyrol d'aprè</span><span class="Apple-style-span" style="color: #eeeeee;">s</span> "</b> A l'auberge du Cheval blanc"</span><br />
<span class="Apple-style-span" style="color: #a6a6a6; font-family: 'Times New Roman';">2011 : <span class="Apple-style-span" style="color: #cccccc;">R</span><b><span class="Apple-style-span" style="color: #cccccc;">eturn to Death</span></b> d'après la cerisaie d'Anton Tchekhov</span></div>
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<b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Les orientations actuelles de la compagnie
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<b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Apres trois ans en tant que compagnie
associée au Théâtre des Bernardines à Marseille</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></b></div>
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<b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">nous continuons à affirmer la triple orientation de la
compagnie : </span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></b></div>
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<b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">La volonté d’une implication locale,</span></span></b><b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"> </span></span></b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">par une politique de création inspirée par une adresse aux nouveaux
publics et par des opportunités de diffusion dans cette direction. Il s’agit de
trouver l’espace où rendre positive la
tension entre commande sociale et démarche artistique intime. </span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></div>
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<b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Un Horizon d’adresse </span></span></b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">: Notre travail se concentre sur le rapport entre les grandes
écritures contemporaines et la mise en œuvre d’une sensibilité en tension avec
l’homme libéral d’aujourd’hui. En particulier, nous arpentons l’espace entre
chagrin et joie, existence et renoncement, souvenir et avenir, parole et
images. C’est brancher le théâtre non plus sur la tragédie et son scandale mais
sur l’expérience commune, stoïcienne et immanente, de l’impuissance et de la
douleur.</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></div>
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<b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Une politique de création</span></span></b><b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"> </span></span></b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">inspirée par la singularité des signatures artistiques et des
partenariats associés à cette singularité</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></div>
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<b><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Stratégie de Développement</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></b></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Notre compagnie est une compagnie déjà
ancienne, d’audience principalement régionale .De ce fait, elle ne peut pas
être positionnée dans les courants d’émergence actuellement privilégiés par les
institutions, qu’ils soient régionaux ou nationaux. Cela nous oblige à
poursuivre principalement une valeur d’usage pour notre théâtre, en articulant
recherche dramaturgique sur les écritures contemporaines et adresse sensible aux
spectateurs d’aujourd’hui, originalité artistique mais aussi solidarité avec
une profession localement définie.</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Nous ne sous situons pas ou plus dans la
mouvance post-moderne du théâtre comme d’ailleurs la majorité du public. Nous
continuons à penser que le texte et l’acteur dans leur rapport historique , qui
est à réinterroger, sont au centre de l’art du théâtre. Nous pensons résolument
Théâtre et pas Spectacle.</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Nous ne suivons donc pas, par réalisme,
une stratégie visant à pouvoir prétendre à la direction d’un lieu reconnu
nationalement. Nous avons, d’autre part, mesuré combien le statut d’artiste
associé ne résout pas grand chose quand à la survie des Compagnies de Création
.</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Notre développement ne tient nous
semble-t-il qu‘à la pertinence de nos projets et à notre capacité à élargir
notre circuit de diffusion : des salles de moyenne importance, dont
l’identité de programmation rejoint la nôtre avec qui mettre en place une vraie
relation de coopération.</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Nous attendons du Réseau Mixte Régional
Compagnies Lieux de Diffusion, récemment crée en PACA et dont nous sommes
membres, une aide fondamentale pour
cette perspective </span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span></div>
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;">Economiquement cela veut dire qu’il est
fondamental pour nous d’être subventionnés au fonctionnement et de gérer un
budget nous permettant de travailler en amont nos projets, de faire une
création par saison et de tourner des spectacles sur la base des apports en
achat. Il s’agit de cumuler selon les années, l’aide au fonctionnement, l’aide
à l’écriture ou à la création ou à la reprise et une part importante d’apports
en ressource propres : coproduction, achats de spectacles ou de
manifestations intermédiaires.</span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><o:p></o:p></span></span><br />
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<span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: #999999;"><i>La compagnie IN PULVEREM REVERTERIS est conventionnée avec la ville de Marseille et la ville d'Aix- en-Provence est subventionnée au fonctionnement par le département 13 et selon les projets par la DRAC et la région PACA.</i></span></span></div>
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</span>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-42571418650519453762008-08-21T15:26:00.000-07:002012-05-04T03:35:37.416-07:00Traumzeit<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkci5YvKXLXZ2GGvXRcfO2aE8-jC3EcFbR4-2YFZm9P2_2TgkqF36xGI9f_q7OrHR0XYS_6yIfUvmlUVw_zC7keX0lhiAU52wZy1WmYcZWagyye2BVUeBTF5sFeQZVIfD2Uru6rZIbHq8/s1600-h/In+Pulverem+petite+entete2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5238215055002146962" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkci5YvKXLXZ2GGvXRcfO2aE8-jC3EcFbR4-2YFZm9P2_2TgkqF36xGI9f_q7OrHR0XYS_6yIfUvmlUVw_zC7keX0lhiAU52wZy1WmYcZWagyye2BVUeBTF5sFeQZVIfD2Uru6rZIbHq8/s400/In+Pulverem+petite+entete2.jpg" style="cursor: pointer; float: left; margin: 0pt 10px 10px 0pt;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmvInCbDGd9FRnGrRT9QoUkUpmEZUcNoWGhXNvckTsWo2WpJw7x3AtfpSQWiWEGCnVrF2VaAXh_olmQMAmcTk9p4RcTrmz9DvbhSQN9-RJeQqex_GLLT0C6Abrk4wLmXypyCrdy99Uquo/s1600-h/traumzeit.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5238215377141538082" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmvInCbDGd9FRnGrRT9QoUkUpmEZUcNoWGhXNvckTsWo2WpJw7x3AtfpSQWiWEGCnVrF2VaAXh_olmQMAmcTk9p4RcTrmz9DvbhSQN9-RJeQqex_GLLT0C6Abrk4wLmXypyCrdy99Uquo/s400/traumzeit.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9DIgOCLc8X4Y6GnGZS1mlabZ6uIAiucNAy469q3eJADP5yp_IqdTNDob6dyvAVA5GN1-wxG7FqBnMmP95XhZzslg4yzgcZA3pfe26H7FJnIBWVU0Uw309mPOfWvMKEokzHaFpyBnIRGg/s1600-h/1-11Ze093.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5238216266821105794" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9DIgOCLc8X4Y6GnGZS1mlabZ6uIAiucNAy469q3eJADP5yp_IqdTNDob6dyvAVA5GN1-wxG7FqBnMmP95XhZzslg4yzgcZA3pfe26H7FJnIBWVU0Uw309mPOfWvMKEokzHaFpyBnIRGg/s320/1-11Ze093.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a> <br />
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<b><span style="color: #c4bc96;">D’après : </span></b></div>
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<b><span style="color: #c4bc96;">Bildbeschreibung - "Paysage sous surveillance"</span></b><span style="color: #a6a6a6;"> de Heiner Müller<br />Traduction de Jean Jourdheuil et Jean-François Peyret</span><b><span style="color: #c4bc96;"><br />Alceste</span></b><span style="color: #a6a6a6;"> d’Euripide<br />Traduction de Marie Delcourt-Curvers</span></div>
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<b><span style="color: #c4bc96;">Conception, mise en scène et scénographie :</span></b><span style="color: #a6a6a6;"> Angela Konrad</span></div>
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<b><span style="color: #c4bc96;">Avec :</span></b><br /><span style="color: #bfbfbf;"><a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-catherine-duflot.html"><span style="color: #bfbfbf;">Catherine Duflot</span></a><br /><a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-laurence.html"><span style="color: #bfbfbf;">Laurence Langlois</span></a><br /><a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-fabrice-michel.html"><span style="color: #bfbfbf;">Fabrice Michel</span></a><br /><a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-frdric-poinceau.html"><span style="color: #bfbfbf;">Frédéric Poinceau</span></a><br /><a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-raphale-thiriet.html"><span style="color: #bfbfbf;">Raphaële Thiriet</span></a></span></div>
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<b><span style="color: #c4bc96;">Chorégraphie :</span></b><span style="color: #a6a6a6;"> Laurence Langlois</span><br /><b><span style="color: #c4bc96;">Dramaturgie et assistanat :</span></b><span style="color: #bfbfbf;"> <a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-lise-blach.html"><span style="color: #bfbfbf;">Elise Blaché</span></a></span><br /><b><span style="color: #c4bc96;">Stagiaire :</span></b><span style="color: #a6a6a6;"> Julien Kirsch</span><br /><b><span style="color: #c4bc96;">Lumière :</span></b><span style="color: #a6a6a6;"> Nanouk Marty</span><br /><b><span style="color: #c4bc96;">Son :</span></b><span style="color: #a6a6a6;"> Steffen Scholl</span><br /><b><span style="color: #c4bc96;">Video:</span></b><span style="color: #a6a6a6;"> </span><span style="color: #bfbfbf;"><a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-danielle.html"><span style="color: #bfbfbf;">Danielle Bertotto</span></a></span><br /><b><span style="color: #c4bc96;">Construction machines :</span></b><span style="color: #a6a6a6;"> Gaël Rodier</span></div>
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<span style="color: #bfbfbf; font-size: 11pt; text-transform: uppercase;">LA FENTE DE VISÉE SUR LE TEMPS S’OUVRE ENTRE REGARD<br />ET REGARD, L’ESPOIR DEMEURE SUR LE FIL DE LA LAME D’UN COUTEAU TOURNANT DE PLUS EN PLUS VITE SUR Lui-même AVEC UNE ATTENTION CROISSANTE = LASSITUDE, INQUIÉTUDE SOUDAINE DANS LA CERTITUDE DE L’Effroyable : LE MEURTRE EST UN ECHANGE DE SEXE, ETRANGER A SON PROPRE CORPS, LE COUTEAU ET LA BLESSURE, LA NUQUE LE COUPERET, LA PERTE DE CONTRÔLE FAIT-ELLE PARTIE DU PLAN, À QUEL APPAREIL EST-ELLE FIXÉE LA LENTILLE QUI ASPIRE LES COULEURS DU REGARD, DANS QUELLE ORBITE SE TROUVE-T-ELLE LA RÉTINE, QUI OU QUOI S’INQUIÈTE DE L’IMAGE, DEMEURER DANS LE MIROIR, L’HOMME AU PAS DE DANSE EST-CE MOI, MA TOMBE SON VISAGE, MOI LA FEMME AVEC LA BLESSURE AU COU, DANS LES MAINS À DROITE ET À GAUCHE L’OISEAU DÉCHIRÉ EN DEUX, LE SANG À LA BOUCHE, MOI L’OISEAU, QUI DE L’ÉCRITURE DE SON BEC MONTRE À L’ASSASSIN LE CHEMIN DANS LA NUIT, MOI, L’OURAGAN GELÉ. </span></div>
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<span style="color: #bfbfbf; font-size: 8pt; text-transform: uppercase;"> </span><span style="color: #bfbfbf; font-size: 11pt;">Heiner<span style="text-transform: uppercase;"> MÜLLER </span></span><br /><span style="color: #bfbfbf; font-size: 11pt; text-transform: uppercase;">in <i>PAYSAGE SOUS SURVEILLANCE</i>.</span></div>
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<i><span style="color: #bfbfbf;">Depuis quelques années maintenant, ma recherche se porte sur des auteurs tels que Shakespeare, Brecht et Heiner Müller. La relation entre PENSÉE/HISTOIRE/LANGUE est au cœur de mon travail. L’enchevêtrement entre politique et esthétique crée chez les trois auteurs des dispositifs dialectique, antinomique voire contradictoire : le grotesque et le sublime se mêlent, l’actualité et la mythologie se côtoient, passé/présent/futur se ré-organisent pour proposer une lecture du monde qui n’est pas fondée sur la raison historique mais sur une conception de l’histoire qui semble venir du futur : étudier le passé à partir du présent afin de remémorer un avenir. La relation entre politique et esthétique ouvre alors une troisième voie : celle de l’éthique ou plus précisément la prise de conscience d’une responsabilité pour le passé et l’avenir ce qui me semble être un des enjeux majeurs de l’art aujourd’hui.</span></i></div>
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<span style="color: #bfbfbf;">Angela <span style="text-transform: uppercase;">Konrad</span></span></div>
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<o:p> </o:p></div>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.comtag:blogger.com,1999:blog-8244870534812896045.post-30521708913931472602008-08-21T13:57:00.000-07:002012-05-04T03:45:52.617-07:00Insupportable mais tranquille<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj8SVVttdSCngNIfgYSZw5DQp-DIz-ddqF5Dx-0QyTN6jLaOE2nzS0NdiYS7OvuUgKqD0XfSks0W2fdOwe6mKP18o4zTm7J6Pq_GrVy6t1ahTsQGuTI2BvhdM92P_lOwTe4lOUs-sFX-k/s1600-h/In+Pulverem+entete.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5238192175909447362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj8SVVttdSCngNIfgYSZw5DQp-DIz-ddqF5Dx-0QyTN6jLaOE2nzS0NdiYS7OvuUgKqD0XfSks0W2fdOwe6mKP18o4zTm7J6Pq_GrVy6t1ahTsQGuTI2BvhdM92P_lOwTe4lOUs-sFX-k/s400/In+Pulverem+entete.jpg" style="cursor: pointer; float: left; height: 85px; margin: 0pt 10px 10px 0pt; width: 227px;" /></a><br />
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<span style="color: #948a54;">Une pièce faite de fragments de textes de Jean Baudrillard, J.P. Curnier, Jacques Rancière, Liliane Giraudon, Rodrigo Garcia, Olivier Cadiot, Georges Perros, Martin Crimp, Botho Strauss, et quelques autres…<o:p></o:p></span></div>
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<b><span style="color: grey;">Réalisation, Montage et Mise en scène : Danielle Bré<br />Scénographie : Angela Konrad<br />Assistants : Camille Patour, Vincent Franchi</span></b><br /><b><span style="color: grey;">Avec: <a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-laurent-de.html"><span style="color: grey;">Laurent de Richemond</span></a>, <a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-catherine-duflot.html"><span style="color: grey;">Catherine Duflot</span></a>, <a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-jean-nehr.html"><span style="color: grey;">Jean Nehr</span></a>, Brice Quetel, <a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-agnes-regolo.html"><span style="color: grey;">Agnès Régolo</span></a>, <a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-jrme-rigaut.html"><span style="color: grey;">Jérôme Rigaut</span></a>, <a href="http://inpulveremreverteris.blogspot.com/2008/08/in-pulverem-reverteris-danielle-stefan.html"><span style="color: grey;">Danielle Stéfan</span></a>. Amandine Thomazeau</span></b></div>
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<span style="color: grey;">Le spectacle a été créé à l’automne 2007 et sa création a été décidée pour la participation de la compagnie au projet </span><b><i><span style="color: #d9d9d9;">par les villages</span></i></b><span style="color: grey;">, opération de développement du théâtre et de la danse dans la communauté du pays d’Aix, opération initiée par les compagnies et les lieux aixois du groupe des 27.</span></div>
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<i><span style="color: #bfbfbf;">Dans une maison de week-end, huit personnes parlent, se parlent, écoutent de la musique, font la cuisine, jouent aux cartes, lisent, chantent, bougent un peu, s’endorment, crient peut-être, rient sûrement : une RTT à plusieurs dont le dénouement est entre vos mains. Il y aura trois couples d’âges différents, séparés chacun par une génération et un homme et une femme isolés. Nous aimerions que chacun y reconnaisse avec étonnement, son cousin, ses voisins, son patron, sa belle- fille, son frère, sa meilleure amie, son ex, sa collègue de travail...</span></i></div>
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<b><span style="color: #5f497a;"><a href="http://viral-prod.com/fr/sections/collectives/harbonn/dossiers/dossier-imt/downloadFile/file/dossier_IMT.pdf?nocache=1219507988.53"><span style="color: #5f497a;">Dossier complet</span></a><br /><a href="http://viral-prod.com/fr/sections/collectives/harbonn/dossiers/dossier-imt-presse/downloadFile/file/presse_IMT_PDF.pdf?nocache=1219508144.69"><span style="color: #5f497a;">Dossier de presse</span></a></span></b></div>
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<b><span style="color: #c00000;">DATES A VENIR : MARDI 25 NOVEMBRE à 20H30 2008,<br />SALLE EMILIEN VENTRE à ROUSSET</span></b><span style="color: #c00000;"><br /><b>VENDREDI 28 NOVEMBRE à 20h30<br />dans le cadre de PAR LES VILLAGES 2,<br />SALLE DU BOIS DE L’AUNE à AIX EN PROVENCE</b> </span></div>
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<span lang="EN-US"><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/KB9djAwxSPg&hl=fr&fs=1">
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<span style="color: #bfbfbf;">J’ai passé une génération à regarder en paix par la fenêtre</span></div>
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<span style="color: #bfbfbf;">Je retiens des mouvements, les solitaires et ceux du collectif qui peut-être seront bientôt morts. Les mouvements ne vont jamais au musée.</span></div>
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<span style="color: #bfbfbf;">Ce qu’il faut ici, ce n’est pas le talent de l’opinion, mais celui de l’exploration.</span></div>
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<span style="color: #bfbfbf;">J’ai fini par le comprendre.</span></div>
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<span style="color: #bfbfbf;">Je n’ai jamais pu finalement développer mes idées, plus loin que celles des autres, voir plus loin que les yeux des autres ?</span></div>
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<span style="color: #bfbfbf;">Cela passe par les hauts et les bas, le vrai et la faux, comme chez tout le monde.</span></div>
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<span style="color: #bfbfbf;">Comment pourrais-je dire : là il parle faux ? Il me dit qui il est ?</span></div>
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<span style="color: #bfbfbf;">Nous ne sommes pas obligés de croire aux esprits. Ils sont, dans notre esprit.</span></div>
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<span style="color: #bfbfbf;">Nous pouvons les entendre à discrétion ; il suffit de les écouter.</span></div>
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<span style="color: #bfbfbf;">Maintenant quand je vais parmi les hommes, je regarde davantage et j’espère moins.</span></div>
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<span style="color: #bfbfbf;">DanielleBré</span></div>
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</div>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-54556090142148098702008-08-21T12:49:00.000-07:002012-05-04T03:03:27.508-07:00L'Orage<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3pysxu5Nf-iPn7dzYwxxISAXXKRrFXxuy_c6letemqE-XMwAPrZl9BGLp41SU8J5OeBLfospdr729RhojcGcgj4jbdzW-I19Joql8xFrkM_9UWW2L015WfB4EoEn8afR5dMK-bgQa9Gw/s1600-h/In+Pulverem+petite+entete2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5263407824696456002" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3pysxu5Nf-iPn7dzYwxxISAXXKRrFXxuy_c6letemqE-XMwAPrZl9BGLp41SU8J5OeBLfospdr729RhojcGcgj4jbdzW-I19Joql8xFrkM_9UWW2L015WfB4EoEn8afR5dMK-bgQa9Gw/s200/In+Pulverem+petite+entete2.jpg" style="cursor: pointer; float: left; height: 56px; margin: 0pt 10px 10px 0pt; width: 200px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPhSkOJtf7cn9-TfrP_7Mi0TM8HNsH_DGyU746XSf2QKUbTZtxoNh0Toe730uoNfnTlaLLCKgQ0CBQ7EI_h0a0QQKzWzKwtQg4QrpFxvdoN7Ts4w-hqQeZzyEfgeatnIFxPE7xspl4gZU/s1600-h/titre+l%27orage.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5263408007098848994" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPhSkOJtf7cn9-TfrP_7Mi0TM8HNsH_DGyU746XSf2QKUbTZtxoNh0Toe730uoNfnTlaLLCKgQ0CBQ7EI_h0a0QQKzWzKwtQg4QrpFxvdoN7Ts4w-hqQeZzyEfgeatnIFxPE7xspl4gZU/s400/titre+l%27orage.jpg" style="cursor: pointer; display: block; height: 120px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLAs5Jg9MjB8g2c9l6S8QP8EidaHj59RviW2slY_210aAcJsAuDsbj0BF2gK9bLgn3a57cXuZ1SqWJPYjacDkX2tpljDFqgXjTJhQjko2_yVeEAasKqkYzIG4nRGv0aXdbcQgcxqSMO3I/s1600-h/image+l%27orage.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5263408351960453250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLAs5Jg9MjB8g2c9l6S8QP8EidaHj59RviW2slY_210aAcJsAuDsbj0BF2gK9bLgn3a57cXuZ1SqWJPYjacDkX2tpljDFqgXjTJhQjko2_yVeEAasKqkYzIG4nRGv0aXdbcQgcxqSMO3I/s400/image+l%27orage.jpg" style="cursor: pointer; display: block; height: 293px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
<span style="color: #666666; font-weight: bold;">Mise en scène et direction artistique :</span> Danielle Bré<br />
<span style="color: #666666; font-weight: bold;">Inserts :</span> Olivier Cadiot<br />
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<span style="font-weight: bold;">Avec des étudiants des cursus Théâtre</span><br />
<span style="font-weight: bold;">de l’Université de Provence </span><br />
<a href="https://viral-prod.com/workspaces/collectives/harbonn/dossiers/orage/downloadFile/file/dossier_L_ORAGE.pdf?nocache=1225483186.53"><br /><span style="color: #990000; font-weight: bold;">TÉLÉCHARGER LE DOSSIER COMPLET PDF</span></a><br />
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<span style="font-size: 180%;"><span style="font-weight: bold;">Notes de mise en scène</span></span><br />
<span style="font-size: 180%;"><span style="font-weight: bold;">L’ORAGE</span></span><br />
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<span style="font-weight: bold;">KALINOV AU PURGATOIRE</span><br />
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La pièce d’Ostrovski est très étrange : la fable est à la fois une comédie paysanne, une fable sociale pré-brechtienne, un poème symboliste sur la vie, tout cela casé pour ne pas dire coincé dans un modèle théâtral d’époque (la pièce est créée en 1859) très désuet pour nous<br />
spectateurs du XXIème siècle.<br />
Le problème était donc le suivant : comment conserver cette fable et sa très féconde hétérogénéité en sortant du système théâtral obsolète pour nous ?<br />
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Si je tenais à conserver la fable, c’est que pour moi, seule la fiction engendre cet inconnu qui lie de nouvelles façons de penser avec de nouveaux modes émotionnels.<br />
C’est là que se noue la fonction politique du théâtre<br />
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Comment avons-nous fait ?<br />
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Ici quelques clés pour que les portes n’apparaissent pas fermées<br />
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La scène du théâtre est un lieu actif au présent (celui des acteurs) coincé lui aussi entre l’Histoire et l’éternité. C’est comme le Purgatoire là où on vient purger sa vie pour attendre en communauté le jugement.<br />
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Dans le spectacle, c’est pareil : les personnages de la petite ville de Kalinov, les protagonistes de la mort de Katérina sont déjà morts. Tels des revenants, ils viennent rejouer là leur histoire pour la comprendre, pour sentir là où ils se sont trompés, là où ils ont raté l’occasion. C’est aussi le lieu du détachement, pour qu’ il reste de tout cela des souvenirs, un parfum, une rumeur lointaine. C’est entre le regret, le remord et l’espoir… ce qu’on éprouve, j’imagine au purgatoire…<br />
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Quand la fin a déjà eu lieu et qu’on n'est plus centré sur le dénouement, pour activer la fable<br />
Il faut s y prendre d’une autre façon : c’est l’écriture scénique qui se transforme et avec elle<br />
La façon d’en faire faire l’expérience au spectateur : cela peut surprendre, voire laisser sur le bord. Alors un conseil ! Il faut regarder le spectacle comme les nuages qui passent devant le bleu insondable du ciel. C’est ce passage, c’est la présence des nuages mouvants devant le bleu fixe qui crée l’émotion toujours renouvelée du spectacle céleste. Ici le ciel c’est la fable et les nuages c’est l’évolution de la façon de la raconter au cours du spectacle. Vous savez regarder le ciel, vous savez regarder le spectacle.<br />
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Chers vivants, à très bientôt sur et devant le plateau….</div>
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Danielle Bré</div>
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<span style="font-weight: bold;">Qu’est-ce qu’une production Universitaire ?</span><br />
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C’est un travail artistique intégré aux cursus de formation Théâtre de l’Université de Provence, un spectacle réalisé sous la responsabilité d’un metteur en scène professionnel invité et diffusé au théâtre Vitez mais aussi, si possible, ailleurs. C’est un lieu d’expérience pour les étudiants des spécificités de l’engagement artistique dans le théâtre.<br />
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Est constitué un collectif artistique complet : metteur en scène, assistant, dramaturges, acteurs et éventuellement musiciens, chargé de production et de médiation, créateur lumières et sons, scénographe et constructeur, responsable costumes.<br />
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Ce collectif composé principalement d’étudiants en formation est sous la responsabilité artistique du metteur en scène mais est aussi tutoré par l’équipe professionnelle du théâtre Antoine Vitez qui assure l’accueil technique et administratif de cette production.<br />
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Ce travail est réalisé à temps plein durant un mois environ et mêle les étudiants de théâtre de tous niveaux.</div>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.comtag:blogger.com,1999:blog-8244870534812896045.post-84385465921320477892008-08-21T09:29:00.000-07:002012-05-04T02:58:06.114-07:00La Mère<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpqPDpbqsTB32mQJFSgZmnyr1qJFsYpTA8poYzZASAJskUsLDPx8igUmgsDyTIqiQ4tt6m0LWzRH-PKD6g2zEBh7puUtVcGS6d-h_9-gQOWNGIfK_SsSRvgXDjMzqitOOYe-OiJ5yphWY/s1600-h/In+Pulverem+petite+entete2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5238494749996743890" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpqPDpbqsTB32mQJFSgZmnyr1qJFsYpTA8poYzZASAJskUsLDPx8igUmgsDyTIqiQ4tt6m0LWzRH-PKD6g2zEBh7puUtVcGS6d-h_9-gQOWNGIfK_SsSRvgXDjMzqitOOYe-OiJ5yphWY/s400/In+Pulverem+petite+entete2.jpg" style="cursor: pointer; float: left; margin: 0pt 10px 10px 0pt;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV7FbMcamBjts9JJgDb3SlOLXM0gQAsz4bwP-6Es4bjNXQvQy4Avs4MVFJ4OJCab1oCPFkXre32pvB4DoNFvYWGeQjDH9apE8f9zlWjGen2uY5aRbea7VOsaR29WME_NlMtSrMVqowRbg/s1600-h/la+mere+titre.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5238494912066146066" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV7FbMcamBjts9JJgDb3SlOLXM0gQAsz4bwP-6Es4bjNXQvQy4Avs4MVFJ4OJCab1oCPFkXre32pvB4DoNFvYWGeQjDH9apE8f9zlWjGen2uY5aRbea7VOsaR29WME_NlMtSrMVqowRbg/s400/la+mere+titre.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivSmGp2nuCAVX20ylzJ2WhJt2JZXQyna9-d0Dxx0Dv0c3YtRMwLb-ysGr2ENsLBGToIIANYoU-aRwIDoU6S9jbaN-jsZsIPamcWNfymiDNmBANmirkbOsAysCwqLE2HU298mDh1i7KYu8/s1600-h/La+M%C3%A8re+P.U+123.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5238546796520834626" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivSmGp2nuCAVX20ylzJ2WhJt2JZXQyna9-d0Dxx0Dv0c3YtRMwLb-ysGr2ENsLBGToIIANYoU-aRwIDoU6S9jbaN-jsZsIPamcWNfymiDNmBANmirkbOsAysCwqLE2HU298mDh1i7KYu8/s400/La+M%C3%A8re+P.U+123.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a> <br />
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<b><span style="color: #c4bc96; font-family: 'Times New Roman', serif; font-size: 16pt;">Création 2005</span></b><span style="font-family: 'Times New Roman', serif;"><br /><span style="color: #bfbfbf;"><br />TRADUCTION<b> </b></span><b><span style="color: #c4bc96;">M. REGNAUT</span></b><span style="color: #bfbfbf;"> ET </span><b><span style="color: #c4bc96;">A. STEIGER</span></b><span style="color: #bfbfbf;"><br />ADAPTATION </span><b><span style="color: #c4bc96;">ANGELA KONRAD</span><span style="color: grey;"> ET </span><span style="color: #c4bc96;">DANIELLE BRÉ</span></b><o:p></o:p></span></div>
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<span style="color: #bfbfbf; font-family: 'Times New Roman', serif;">MISE EN SCÈNE ET SCENOGRAPHIE </span><span style="font-family: 'Times New Roman', serif;"><br /><b><span style="color: #c4bc96;">ANGELA KONRAD</span></b><o:p></o:p></span></div>
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<span style="color: #bfbfbf; font-family: 'Times New Roman', serif;">ASSISTANTE A LA MISE EN SCÈNE ET A LA DRAMATURGIE </span><b><span style="color: #c4bc96; font-family: 'Times New Roman', serif;">ÉLISE BLACHÉ</span></b><span style="font-family: 'Times New Roman', serif;"><o:p></o:p></span></div>
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<span style="color: #bfbfbf; font-family: 'Times New Roman', serif;">AVEC :</span><span style="font-family: 'Times New Roman', serif;"><br /><b><span style="color: #c4bc96;">DANIELLE BRÉ </span></b><br /><span style="color: #c4bc96;">LES ÉTUDIANTS DU DÉPARTEMENT ARTS DU SPECTACLE<br />LE CHŒUR ET L’ORCHESTRE DES ÉTUDIANTS DE MUSIQUE<br />DE L'UNIVERSITÉ DE PROVENCE</span><o:p></o:p></span></div>
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<span style="color: #bfbfbf; font-family: 'Times New Roman', serif;">DIRECTION MUSICALE MUSIQUE : </span><b><span style="color: #c4bc96; font-family: 'Times New Roman', serif;">CHRISTINE CULIOLI</span></b><span style="color: #bfbfbf; font-family: 'Times New Roman', serif;"><br />COMPOSITION MUSICALE: </span><b><span style="color: #c4bc96; font-family: 'Times New Roman', serif;">HANNS EISLER</span></b><span style="font-family: 'Times New Roman', serif;"><o:p></o:p></span></div>
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<i><span style="color: #a6a6a6; font-family: 'Times New Roman', serif;"> Quand j’écrivais « La mère » d’après le livre du camarade Gorki et d’après les récits que de nombreux camarades prolétaires avaient faits de leurs luttes quotidiennes, je l’écrivais sans prendre aucun biais, dans un langage précis, posant chaque mot, avec rigueur, choisissant avec soin chaque geste de chaque personnage, comme celui qui relate les actes et les paroles des Grands. Ces petits faits de tous les jours, infiniment divers, qui se produisent en des lieux jugés sans intérêt, je les présentais, autant que possible, comme des événements entre tous historiques, nullement moins significatifs que les actions célèbres des chefs d’Etat et des héros dont sont remplis les livres. Je me fixais pour tâche de montrer une grande figure historique, anonyme précurseur des temps humains. Exemple à suivre.<br />Voyez-là, la mère prolétarienne, qui va son chemin, le chemin plein de détours, le long chemin de sa classe. Voyez-là, quand on diminue son fils d’un kopek : elle ne peut pas lui faire une soupe appétissante. Alors elle en vient à s’opposer à lui et craint de le perdre ; Puis, contre son gré, elle l’aide à combattre pour le kopek, craignant maintenant de le perdre dans ce combat. Lentement elle suit son fils dans l’enchevêtrement des luttes pour le salaire. Dans le même temps, apprend à lire. Quitte sa maison, veille sur d’autres que son fils, sur d’autres qui ont le même sort : elle s’était pour son fils dressée contre eux, la voici qui lutte à leurs côtés.</span></i><span style="font-family: 'Times New Roman', serif;"><o:p></o:p></span></div>
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<span style="color: #a6a6a6; font-family: 'Times New Roman', serif;">B.Brecht.</span><span style="font-family: 'Times New Roman', serif;"><o:p></o:p></span></div>
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<i><o:p></o:p></i></div>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-48827444416589700332008-08-21T07:34:00.000-07:002012-05-04T10:05:47.902-07:00Spectacles<br />
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<b><span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="color: #999999;">IN PULVEREM REVERTERIS</span></span></b><br />
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<b><span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="color: #cc0000;">SPECTACLES</span></span></b></div>
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<span class="Apple-style-span" style="color: #eeece1; font-weight: bold;">MISES EN SCENE D’ANGELA KONRAD :</span><br />
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<b><span style="color: #eeece1;">Noli me tangere</span></b><span style="color: grey;"> d’après le Pays lointain de Jean-Luc Lagarce, 1999</span><br />
<b><span style="color: #eeece1;">T. T.</span></b><span style="color: grey;"> d’après Torquato Tasso de Goethe, 2000</span><br />
<b><span style="color: #eeece1;">Tales and Tears</span></b><span style="color: grey;"> d’après Bond et Shakespeare, 2001</span><br />
<b><span style="color: #eeece1;">Time is out of Joint, part I</span></b><span style="color: grey;">, d’après L. Giraudon, Shakespeare et Sénèque, 2001</span><br />
<b><span style="color: #eeece1;">Baal ou interrelations des êtres vivants</span></b><span style="color: grey;">, d’après Brecht, Rimbaud et le Pr Nicoli, 2001</span><br />
<b><span style="color: #eeece1;">Time is out of Joint part II,</span></b><span style="color: grey;"> d’après L. Giraudon, Shakespeare et Sénèque, 2002</span><br />
<b><span style="color: #eeece1;">The wood began to move</span></b><span style="color: grey;"> d’après Macbeth de Shakespeare, 2002</span><br />
<b><span style="color: #eeece1;">Robert ou ce qu’il en reste</span></b><span style="color: grey;"> d’après Mickaël Glück, 2002</span><br />
<b><span style="color: #eeece1;">More than Reality</span><span style="color: grey;"> </span></b><span style="color: grey;">film de Culture fiction, décembre 2002</span><br />
<b><span style="color: #eeece1;">Time is out of Joint part III</span></b><span style="color: #eeece1;">,</span><span style="color: grey;"> d’après L. Giraudon, Shakespeare et Sénèque, 2003</span><br />
<b><span style="color: #eeece1;">Richard III</span></b><span style="color: grey;"> de Shakespeare, 2004</span><br />
<b><span style="color: #ddd9c3;"><a href="http://inpulveremreverteris.blogspot.com/2008/08/cration-2005-traduction-m.html"><span style="color: #ddd9c3; text-decoration: none;">La Mère</span></a></span></b><span style="color: grey;"> de Brecht, 2005 (Danielle Bré est actrice sur le projet)</span><br />
<b><span style="color: #eeece1;">MüllerMachine, Carnaval pour animaux de la post histoire</span></b><span style="color: grey;">, 2006</span><br />
<b><span style="color: #eeece1;">Cath</span><span style="color: #d9d9d9;">erine</span><span style="color: #eeece1;"> forever</span></b><span style="color: grey;">, un making of, small polar, film, 2006 </span><br />
<b><span lang="EN-US" style="color: #d9d9d9;"><a href="http://inpulveremreverteris.blogspot.com/2008/08/daprs-bildbeschreibung-paysage-sous.html"><span lang="FR" style="color: #d9d9d9; text-decoration: none;">Traumzeit</span></a></span></b><span lang="EN-US" style="color: #d9d9d9;"> </span><span style="color: grey;">d’après Müller, Euripide et Shakespeare Time is out of Joint part IV, 2007</span><br />
<b><span style="color: #eeece1;">Requiem pour un chien et son maître</span></b><span style="color: grey;"> d’aprés Don Juan de Molière et Don Giovanni de Mozart, Time is out of Joint part V, 2007</span><br />
<b><span class="Apple-style-span" style="color: #eeeeee;">Hamlet</span></b> <span class="Apple-style-span" style="color: #666666;">d'aprés Müller 2008/2009</span> </div>
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<b><span class="Apple-style-span" style="color: #eeeeee;">Return to death</span></b><span class="Apple-style-span" style="color: #eeeeee;"> </span><span class="Apple-style-span" style="color: #444444;">d'après La Cerisaie d'Anton Tchekhov 2012</span></div>
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<b><span style="color: #eeece1;">MISES EN SCENE DE DANIELLE BRE DEPUIS 1996:</span></b><br />
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<b><span style="color: #eeece1;">Nous les Héros</span></b><span style="color: grey;"> de Jean Luc Lagarce 1996/ 1997</span><br />
<b><span style="color: #eeece1;">Le petit cirque de monsieur K</span></b><span style="color: grey;"> d’après Kafka 1996/ 1997</span><br />
<b><span style="color: #eeece1;">Jackets ou la Main secrète</span></b><span style="color: grey;"> d’Edward Bond 1998/1999 </span><br />
<b><span style="color: #eeece1;">Le prix des enfants</span></b><span style="color: grey;"> : projet collège 1998/1999</span><br />
<b><span style="color: #eeece1;">La vie de Galilée</span></b><span style="color: grey;"> de Brecht 1998/1999</span><br />
<b><span style="color: #eeece1;">Navigue, mais sois net</span></b><span style="color: grey;"> de Danielle Mémoire 1999/2000</span><br />
<b><span style="color: #eeece1;"><a href="http://inpulveremreverteris.blogspot.com/2008/08/blog-post_24.html"><span style="color: #eeece1; text-decoration: none;">Insupportable mais tranquille...</span></a></span></b><span style="color: grey;"> d’aprés J. Baudrillard, J.P. Curnier, J. Rancière, L. Giraudon, R. Garcia, O.Cadiot, et quelques autres 2007/2008</span><br />
<b><span style="color: #eeece1;">L’Orage</span></b><span style="color: grey;"> d’Ostrovski 2008</span></div>
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<span class="Apple-style-span" style="color: grey;"><b><span class="Apple-style-span" style="color: #eeeeee;">La RéCréation</span> </b>d'après Robert Walser 2009/2011</span></div>
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<span class="Apple-style-span" style="color: grey;"><b><span class="Apple-style-span" style="color: #eeeeee;">L'après-midi de Mr Andesmas</span></b> d'après Marguerite Duras 2012/2013</span> </div>
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<span style="color: grey;"></span><o:p></o:p></div>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-65500557470420750102008-08-21T07:11:00.000-07:002012-05-04T03:35:21.092-07:00Requiem<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu_0M3gfWnLX7PgPQyM9kLl1OsxNzqatu_sBoV6cOPiQ9GGN6zHGpyCmwKlfFwD1OoEpaoJyfc0Tnbk2GMTIMTPylRUTPrDpdeLCbipAKcACPGlAe7VLKEYB3YT1zgID-tl1XSU3oVQ2k/s1600-h/In+Pulverem+petite+entete2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5262952353866167394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu_0M3gfWnLX7PgPQyM9kLl1OsxNzqatu_sBoV6cOPiQ9GGN6zHGpyCmwKlfFwD1OoEpaoJyfc0Tnbk2GMTIMTPylRUTPrDpdeLCbipAKcACPGlAe7VLKEYB3YT1zgID-tl1XSU3oVQ2k/s200/In+Pulverem+petite+entete2.jpg" style="cursor: pointer; float: left; height: 56px; margin: 0pt 10px 10px 0pt; width: 200px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAKxrYR2lbxp_j9F-Vl0k2EWRhMGaJNmFPFnQ0mPXgFs8zcIGL0GY7anx0WSTInhmKvjRenTk4K1XuG3ai-GJYUuNx7rcM5eZ_SwOrwT1ihWV6S12Gn8xulmT1sJN9L7UYzeTzI-0drpQ/s1600-h/TITRE+REQUIEM.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5262955509750932370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAKxrYR2lbxp_j9F-Vl0k2EWRhMGaJNmFPFnQ0mPXgFs8zcIGL0GY7anx0WSTInhmKvjRenTk4K1XuG3ai-GJYUuNx7rcM5eZ_SwOrwT1ihWV6S12Gn8xulmT1sJN9L7UYzeTzI-0drpQ/s400/TITRE+REQUIEM.jpg" style="cursor: pointer; display: block; height: 112px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPCG8cj-6pYOyhzoreM8QokJMVz-TjBG39gkxx1Nr-P4HDJNurPHoBFoJk-xtn4x2wZef9STYXr0IYYgP4k7JCGYTuCeSIsqtoF1k5WI5a9lopWO32pJhAIkoORae9-x5L2xJFnqqXyZY/s1600-h/REQUIEM+PHOTO.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5262949976921779506" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPCG8cj-6pYOyhzoreM8QokJMVz-TjBG39gkxx1Nr-P4HDJNurPHoBFoJk-xtn4x2wZef9STYXr0IYYgP4k7JCGYTuCeSIsqtoF1k5WI5a9lopWO32pJhAIkoORae9-x5L2xJFnqqXyZY/s400/REQUIEM+PHOTO.jpg" style="cursor: pointer; display: block; height: 232px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
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<span style="font-size: 85%;">Un projet expérimental pour</span></div>
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<span style="font-size: 85%;">un acteur, une danseuse, deux chorales et un chien.<br />d’après DON GIOVANNI de Mozart<br />DOM JUAN de Molière</span><span style="font-size: 85%;">„Elvire“ in MOLIÈRE ET LA COMÉDIE CLASSIQUE de Louis Jouvet<br />et CHIMERE et autres bestioles de Didier-Georges Gabily</span><br />
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<span style="font-size: 85%;">Conception et Mise en scène : Angela Konrad<br />Dramaturgie : Elise Blaché<br />Images : Danielle Bertotto<br />Chorégraphie : Laurence Langlois<br />Musique : Mozart (Don Giovanni et Le Requiem) et David Bowie</span><br />
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CE PROJET EST EN DEUX PARTIES. LA PREMIÈRE A ÉTÉ CRÉÉE EN 2007, LA SECONDE SERA CRÉÉE EN 2009.<br />
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<span style="font-family: 'times new roman'; font-size: 100%;"><span style="color: #999999; font-weight: bold;">PART 1</span> avec Frédéric Poinceau, Laurence Langlois, deux chorales et un chien</span><span style="font-size: 100%;"><br /><span style="font-family: 'times new roman';"><span style="color: #999999; font-weight: bold;">PART 2 </span>avec Frédéric Poinceau, Laurence Langlois, Monica Calle </span><br /><span style="font-family: 'times new roman';">(distribution en cours au Portugal), deux chorales et un chien</span></span><br />
<a href="http://viral-prod.com/fr/sections/collectives/harbonn/dossiers/requiem/downloadFile/file/REQUIEM_OCT_2008.pdf?nocache=1225376377.53"><br /></a></div>
<a href="http://viral-prod.com/fr/sections/collectives/harbonn/dossiers/requiem/downloadFile/file/REQUIEM_OCT_2008.pdf?nocache=1225376377.53"><br />TÉLÉCHARGEMENT DU DOSSIER COMPLET EN PDF </a></div>
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<span style="font-size: 130%;"><br /><br /><span style="color: #999999; font-size: 180%;"><span style="font-family: 'times new roman'; font-weight: bold;">PART I : MAQUETTE</span></span></span><br />
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<span style="font-family: 'times new roman';">Chefs de Chœur : Jean-François Sénart, Adèle Pons</span><br />
<span style="font-family: 'times new roman';">La chorale du 3bisF et la Chorale du Département de Musicologie de l’Université de Provence.</span><br />
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<span style="font-family: 'times new roman';"><span style="font-weight: bold;">PRODUCTION : </span>Cie In Pulverem Reverteris, Lieu d’Art Contemporain 3BisF</span><br />
<span style="font-family: 'times new roman';">avec le soutien du Conseil Régional Provence Alpes Côte d’Azur, du Ministère de la Culture (Direction Régionale des Affaires Culturelles Provence Alpes Côte d’Azur). La compagnie In Pulverem Reverteris reçoit le soutien du Conseil Général des Bouches du Rhône, des villes de Marseille et d’Aix en Provence.</span><br />
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<span style="font-family: 'times new roman'; font-weight: bold;">DATES :</span><br />
<span style="font-family: 'times new roman';">Mai – juin 2007 : Résidence au 3BisF</span><br />
<span style="font-family: 'times new roman';">Atelier chœur avec Adèle Pons : 5 week-ends entre janvier et mai 2007 </span><br />
<span style="font-family: 'times new roman';">Présentations les 7, 8 et 9 juin 2007</span><br />
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<span style="font-family: 'times new roman';">Deux chorales : la Chorale du Département de Musicologie de l’Université de Provence sous la direction de Jean-François Sénart, ainsi qu’une chorale créée au 3BisF (composée de patients et de personnels soignants de l’hôpital Montperrin, et de chanteurs amateurs) sous la direction d’Adèle Pons, la Compagnie In Pulverem Reverteris, Frédéric Poinceau et Laurence Langlois, Danielle Bertotto, le chien Enya et son dresseur s’associeront pour célébrer le REQUIEM POUR UN MAÎTRE ET SON CHIEN d’après Chimère de Gabily, Dom Juan de Molière, Don Giovanni et le Requiem de Mozart.</span><br />
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<span style="font-family: 'times new roman'; font-style: italic;">Il s’agit d’un travail de recherche autour du thème du Désir ou plutôt de sa mort. Un travail qui explore dans le dispositif architectural complexe qu’est le lieu d’art contemporain du 3bisf, des forces d’opposition comme Chant/Cri, Féminin/Masculin, Homme/Animal. Notre Dom Juan n’est plus ce qu’il fut, il ne pourra plus chanter, ni bander, il ne lui reste qu’un chien et un théâtre pauvre pour convoquer encore un semblant de vie. </span><br />
<span style="font-family: 'times new roman'; font-style: italic;">On va pleurer un peu mais Mozart nous consolera de notre lucidité. </span><br />
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<span style="font-family: 'times new roman';">AK</span></div>
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<span style="font-family: 'times new roman'; font-size: 180%;"><br /><span style="color: #999999; font-weight: bold;">REQUIEM POUR UN MAITRE ET SON CHIEN </span><br /><span style="color: #999999; font-weight: bold;">PART II</span><br /><span style="color: #999999; font-weight: bold;">DOM JUAN OU : LA LOI DES SERIES</span></span><br />
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<span style="font-family: 'times new roman'; font-weight: bold;">MATÉRIAUX: </span><br />
<span style="font-family: 'times new roman';">Chimères de Didier-Georges Gabily qui propose une lecture du mythe dans un contexte historico-politique de l’ex-Yougoslavie dans les années 90. L’enseignement de Jouvet retranscrit dans « Molière et la Comédie classique » à partir de Dom Juan de Molière, l’opéra Don Giovanni et le Requiem de Mozart.</span><br />
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<span style="font-family: 'times new roman'; font-weight: bold;">CONTEXTE :</span><br />
<span style="font-family: 'times new roman';">Le projet franco-portugais REQUIEM est la continuité d’un travail présenté en Juin 2007 au 3bisF Lieu d’art contemporain. </span><br />
<span style="font-family: 'times new roman';">La possibilité de créer ce spectacle à Lisbonne avec une équipe franco-portugaise déterritorialise le champ de travail, la rencontre avec l’Autre, comme j’ai déjà pu l’expérimenter lors de mon passage à Lisbonne en 2002 avec « Eros, Kronos, Thanatos », déplace, nourrit, stimule le travail, rend difficile ce qui semblait acquis, rend facile ce qui semblait lointain… Ma dernière collaboration avec Monica Calle et Susana Vidal a constitué une étape importante dans mon évolution artistique. Elles m’ont beaucoup appris et je leur en suis très reconnaissante.</span><br />
<span style="font-family: 'times new roman';">J’ai accepté l’invitation de Monica Calle et se son teatro Casa Conveniente à venir partager et poursuivre ce travail en croisant nos équipes. </span><br />
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<span style="font-family: 'times new roman';">Nous continuons une exploration autour du mythe de Dom Juan telle que nous l’avons commencée en Juin 2007. Il s’agissait d’une maquette qui nous a permis de poser les bases d’une théâtralité interdisciplinaire, associant la danse, l’image, le chœur, l’opéra, le théâtre.</span><br />
<span style="font-family: 'times new roman';">Il s’agit d’inventer une forme d’opéra–théâtre, de mêler différents champs artistiques, de décloisonner les pratiques et de faire se rencontrer des communautés différentes, faire arriver sur scène une énergie nouvelle qui cherche à divertir, à émouvoir, à donner à penser…</span><br />
<span style="font-family: 'times new roman';">Ici, le théâtre se délimite, se cherche et se confronte à des dynamiques multiples, à des lois et des rythmes de production et de création différentes. Porté par le souci de re-instaurer le théâtre dans la Cité, c’est-à-dire parmi ses habitants, de rendre curieux les gens, de faire en sorte que le théâtre leur redevienne quelque part nécessaire comme pratique sociale, soucieuse de faire revenir des gens qui ont quittés depuis longtemps les théâtres, ne se sentant plus concernés par des soi-disant « tentatives » qui ont fait que le théâtre a fini par se suicider.<br /><br /><span style="font-size: 180%;"><span style="font-weight: bold;">CALENDRIER</span></span><br />Le projet se réalisera en deux étapes :<br />Tout d’abord un Laboratoire expérimental réunissant une équipe portugaise et française. Cette rencontre donnera forme à un spectacle présenté à La Casa Conveniente fin Août 2009.<br />Une deuxième phase de travail dans le courant du mois de décembre/janvier 2009/2010 à Lisbonne intégrera une chorale portugaise. Le spectacle se jouera dans un théâtre partenaire de la Casa Conveniente pour une série d’une dizaine de représentations.<br />Puis, le spectacle se jouera à Marseille au Théâtre des Bernardines dans le courant du mois de février 2010, également pour une série d’une dizaine de représentations. Une chorale régionale intégrera le projet à Marseille.<br /><span style="font-size: 130%;"><br /><span style="font-weight: bold;">PRODUCTION :</span></span><br />Théâtre des Bernardines, Théâtre Casa Conveniente à Lisbonne et son théâtre partenaire.<br />Contacts en cours : Montpellier, L’usine C à Montréal.<br /></span>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.comtag:blogger.com,1999:blog-8244870534812896045.post-85362554057877013702008-08-21T06:54:00.000-07:002012-05-04T03:07:48.262-07:00Macbeth<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjq2Q1fXhB0aQRbiNsHTiBxWYVWiWXW7JB3Xipm2h6d6rmBtXSEw9gsr94fT1oJrFvWDGBKb8UOwk-s4QdZwhaljGdt4csYf0y74CD75O3vDUQ-Sl6oDUtXuiGHeHD7vvlnRd_w0fe3Z4/s1600-h/In+Pulverem+petite+entete2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5262945606390369970" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjq2Q1fXhB0aQRbiNsHTiBxWYVWiWXW7JB3Xipm2h6d6rmBtXSEw9gsr94fT1oJrFvWDGBKb8UOwk-s4QdZwhaljGdt4csYf0y74CD75O3vDUQ-Sl6oDUtXuiGHeHD7vvlnRd_w0fe3Z4/s320/In+Pulverem+petite+entete2.jpg" style="cursor: pointer; float: left; height: 62px; margin: 0pt 10px 10px 0pt; width: 223px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcbCWDldzN_6IbCunDrCR5gTB3exNw0YyzUmqFcmw8lZH13hcv3OV_o-S4KeXjtQjHolQYJyba7g5VW8R-qwNqbmGA5y961ME0RmpHsjKFcFeIWhzgdibRYrRO0NWdJtfeO-cZZgT-2_Y/s1600-h/MACBETH+TITRE.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5262945850565024802" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcbCWDldzN_6IbCunDrCR5gTB3exNw0YyzUmqFcmw8lZH13hcv3OV_o-S4KeXjtQjHolQYJyba7g5VW8R-qwNqbmGA5y961ME0RmpHsjKFcFeIWhzgdibRYrRO0NWdJtfeO-cZZgT-2_Y/s400/MACBETH+TITRE.jpg" style="cursor: pointer; display: block; height: 118px; margin: 0px auto 10px; text-align: center; width: 312px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihS8wvJmFUtQw2nTOTfhMCWAcxaEhG65MtDSuQEtB6w8k0BttZZcBzaSOnjHPwPEcKBCFcJK69Ct2xXa0S5XXiH0OSWbQM3VsmrLioefLpOF4Aq2VM-4b1aFg9Gx5DDvnU7XdTvl7TNyo/s1600-h/Sans+titre-1.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5262945437910444610" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihS8wvJmFUtQw2nTOTfhMCWAcxaEhG65MtDSuQEtB6w8k0BttZZcBzaSOnjHPwPEcKBCFcJK69Ct2xXa0S5XXiH0OSWbQM3VsmrLioefLpOF4Aq2VM-4b1aFg9Gx5DDvnU7XdTvl7TNyo/s400/Sans+titre-1.jpg" style="cursor: pointer; display: block; height: 61px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a>TEXTE DE HEINER MÜLLER d’après SHAKESPEARE<br />
TRADUCTION JEAN-PIERRE MOREL<br />
AUX ÉDITIONS DE MINUIT, 2006</div>
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PROJET, CONCEPTION, MISE EN SCÈNE ET SCENOGRAPHIE<br />
ANGELA KONRAD<br />
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DRAMATURGIE, ASSISTANAT ELISE BLACHÉ<br />
LUMIÈRE NANOUK MARTY<br />
VIDEO DANIELLE BERTOTTO</div>
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AVEC JEZABEL D’ALEXIS, FABRICE MICHEL, FREDERIC POINCEAU, LÉO MARATRAT, LAURENCE LANGLOIS (DANSEUSE), 2 MUSICIENS –ACTEURS (PERCUSSIONS) ERIC BERNARD ET (en alternance) GILDAS ETEVENARD ET GILLES CAMPAUX<br />
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PRODUCTION : CIE IN PULVEREM REVERTERIS, THÉÂTRE DES BERNARDINES, THÉÂTRE DE LA CRIÉE<br />
LA CIE EST SUBVENTIONNÉE PAR LA DRAC PACA, LE CONSEIL RÉGIONAL PACA, LE CONSEIL GÉNÉRAL 13, LA VILLE DE MARSEILLE ET LA VILLE D’AIX EN PROVENCE, et avec le soutien du FIJAD (sous reserve).<br />
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CRÉATION : RÉPÉTITIONS À L’AUTOMNE 2008, 1ERE SÉRIE DE 12 REPRÉSENTATIONS AU THÉÂTRE DES BERNARDINES DU 13 AU 25 JANVIER 2009, REPRISE AU THÉÂTRE NATIONAL DE LA CRIÉE À L’AUTOMNE 2009.</div>
<a href="http://viral-prod.com/fr/sections/collectives/harbonn/dossiers/macbeth/downloadFile/file/MACBETH_dossier_3.pdf?nocache=1225374089.36"><br /></a><a href="http://viral-prod.com/fr/sections/collectives/harbonn/dossiers/macbeth/downloadFile/file/MACBETH_dossier_3.pdf?nocache=1225374089.36">TÉLÉCHARGER DOSSIER COMPLET PDF</a><br />
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<span style="font-family: 'times new roman';">Nous avons mené un travail de recherche, intitulé « Eros, Kronos, Thanatos » autour des trois sorcières de Macbeth à Lisbonne (Festival X) et à Marseille au Théâtre des Bernardines en 2002. Depuis je souhaitais travailler sur l’intégralité du texte. Après relecture de la version qu’en donne Heiner Müller j’ai décidé de monter sa réécriture de « Macbeth ». Il s’agit d’une adaptation de Heiner Müller, établie dans les années 70 par l’auteur d’après Shakespeare. </span><br />
<span style="font-family: 'times new roman';">Voici ce que dit Jean-Pierre Morel à propos des changements par rapport à Shakespeare: "(...) Müller a rendu visibles les opprimés à savoir les paysans, révoltés contre le roi d'Ecosse dès le lever du rideau, puis vaincus, exploités, plus tard déchirés entre les deux camps et aussi les soldats : ils abandonnent par deux fois le parti de Macbeth et tuent celui-ci à la fin, au lieu que ce soit Macduff. Quant aux sorcières, qui naissent de l'écrasement initial de la révolte, leur réapparition au dénouement prouve que l'ordre légitime n'est pas restauré : le trône restera fragile tant que n'aura pas cessé la violence contre les paysans (comparable à la guerre américaine au Vietnam et à la persécution des communistes en Irak)." </span><br />
<span style="font-family: 'times new roman';">Ainsi, Müller propose une traduction/adaptation à partir d’un point de vue politique et historique. Il s’agit là d’une véritable « réactualisation » tout en gardant le contexte historique de la pièce. Müller invite plutôt à faire une lecture de Macbeth en fonction de l’actualité politique dans laquelle il (Müller) évolue. Cette « relecture » de Macbeth incite l’auteur à radicaliser ce que fait la force de Shakespeare : la langue, le rythme et la complexité limpide et intelligente d’une fable.</span><br />
<span style="font-family: 'times new roman';">La pièce repose sur une dramaturgie serrée et rapide. La langue est précise, coupée au couteau, sauvage et incroyablement dense. La pièce est d’autant plus violente que le temps accéléré de l’Histoire nous donne à voir, pour ainsi dire, les blessures par lesquelles elle « abreuve nos sillons ».</span><br />
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<span style="font-size: 130%;"><span style="font-weight: bold;">NOTE DE MISE EN SCÈNE : « LA FABRIQUE DU DOUBLE »</span></span><br />
<span style="font-family: 'times new roman';">…Il y a quelque chose d’insaisissable dans les figures de Macbeth et de Lady Macbeth, cette vieille tragédie du Mal et de la Conscience met surtout en jeu la puissance imaginaire et ses conséquences, la volonté de précipiter les événements, concurrencer l’éternité et se mettre à l’abri de sa propre mort. Se met alors en place le mécanisme du pouvoir et de la volonté, une logique implacable qui éclaire ces figures entre le jour et la nuit avant qu’elles n’entament la longue trajectoire qui mène vers leur mort dans une décrépitude mentale grandissante … </span><br />
<span style="font-family: 'times new roman';">Macbeth peut-être lu comme « La fabrique du double » : fabriquer des doubles, les fantômes, se fabriquer en double, s’écarter de soi-même en se mettant à l’abri de sa mort… Changer la représentation mentale du réel, des seuils, s’arracher à sa condition humaine pour précipiter l’événement… La motivation reste quelque peu obscure, la soif du pouvoir ne suffit pas pour éclairer « la chose », des forces primitives travaillent cette histoire qui se situe au seuil des temps anciens et des temps modernes dans lequel l’homme se cherche encore comme démiurge maîtrisant le temps en concurrence avec l’éternité. Ainsi, le drame qui se joue est le drame du temps humain face à l’éternité, entre finitude et éternité … </span><br />
<span style="font-family: 'times new roman';">Il reste à leur souhaiter une lucidité qui ne les empêchera pas de souffrir mais qui leur permettra d’en faire encore une ultime expérience, celle de l’affranchissement de l’enfermement dans lequel l’homme se met tout seul après tout. </span><br />
<span style="font-family: 'times new roman';">Ici, le théâtre cherche à interroger notre façon d’affronter le réel, de sonder les précipices de la puissance imaginaire et de continuer à vivre avec et malgré tout cela.</span><br />
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<span style="font-family: 'times new roman';">Angela Konrad</span><br />
<span style="font-family: 'times new roman';"> </span>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.comtag:blogger.com,1999:blog-8244870534812896045.post-20486135564657299002008-08-21T05:36:00.000-07:002015-08-27T14:47:16.868-07:00Spectacles anciens<div style="text-align: left;">
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<b><a href="http://www.blogger.com/blogger.g?blogID=8244870534812896045#editor/target=post;postID=5455609014214809870"><span class="Apple-style-span" style="color: #990000;">L'ORAGE D'ALEXANDRE OSTROVSK</span></a><span class="Apple-style-span" style="color: #990000;">I</span></b><br />
<span class="Apple-style-span" style="color: #eeeeee;"><b>Création 2007 de Danielle Bré</b></span></div>
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<span class="Apple-style-span" style="font-size: 21px; font-weight: bold;"><a href="http://inpulveremreverteris.blogspot.fr/2008/08/cration-2005-traduction-m.html"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #990000;">LA MERE DE B BRECHT</span></span></a></span></div>
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<b><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="color: #f3f3f3;">Création 2005 d'Angela Konrad</span></span></b><br />
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<b><a href="http://inpulveremreverteris.blogspot.fr/2008/08/daprs-bildbeschreibung-paysage-sous.html"><span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="font-size: small;">TRAUMZEIT</span></span></a></b><br />
<span class="Apple-style-span" style="font-size: small;"><b><span class="Apple-style-span" style="color: #eeeeee;">Création 2008 Angela Konrad </span></b></span><br />
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<b><a href="http://www.blogger.com/blogger.g?blogID=8244870534812896045#editor/target=post;postID=8536255405787701370"><span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="font-size: small;">RICHARD III DE SHAKEASPEARE</span></span></a></b></div>
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<b><span class="Apple-style-span" style="color: #f3f3f3;"><span class="Apple-style-span" style="font-size: small;">Création 2004 d'Angela Konrad</span></span></b></div>
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<b><span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="font-size: small;">I</span></span><a href="http://inpulveremreverteris.blogspot.fr/2008/08/blog-post_24.html"><span class="Apple-style-span" style="color: #990000;"><span class="Apple-style-span" style="font-size: small;">NSUPPORTABLE MAIS TRANQUILLE</span></span></a></b></div>
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<b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="background-color: #444444;">Une pièce faite de fragments de textes de Jean Baudrillard, J.P. Curnier, Jacques Rancière, Liliane Giraudon, Rodrigo Garcia, Olivier Cadiot, Georges Perros, Martin Crimp, Botho Strauss, et quelques autres…</span></span></span></b></div>
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<b><span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="background-color: #444444;">Création Danielle Bré</span></span></span></b></div>
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<span class="Apple-style-span" style="color: #cccccc;"><b><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="background-color: #444444;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"> </span></span></span></b><b><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="background-color: #444444;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;">et de « Enfants des morts » de Elfriede Jelinek</span></span></span></b></span></div>
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<span class="Apple-style-span" style="color: #eeeeee;"><span class="Apple-style-span" style="background-color: #444444;">D'après Robert Walser</span></span><br />
<span class="Apple-style-span" style="color: #eeeeee;"><b><span class="Apple-style-span" style="background-color: #444444;">Adaptation et mise en scène : Danielle Bre </span></b></span></div>
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inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.comtag:blogger.com,1999:blog-8244870534812896045.post-39743263733192684062008-08-21T03:00:00.000-07:002012-05-04T04:27:58.308-07:00Richard III<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMnwNR1Hq1k61fRVo2Oo9dnx85zxo2xVlrIaSi-WfT_XgyNXNMGB6LJ6TK5xkxHwi56O0pvFOY4krBflx2Iwtmb66jKASIxk7tsedZxV1fNDfzk3EqXT7zourLTK6yYBQmgaq6CLPyegw/s1600-h/In+Pulverem+petite+entete2.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5264755640286619650" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMnwNR1Hq1k61fRVo2Oo9dnx85zxo2xVlrIaSi-WfT_XgyNXNMGB6LJ6TK5xkxHwi56O0pvFOY4krBflx2Iwtmb66jKASIxk7tsedZxV1fNDfzk3EqXT7zourLTK6yYBQmgaq6CLPyegw/s200/In+Pulverem+petite+entete2.jpg" style="cursor: pointer; float: left; height: 56px; margin: 0pt 10px 10px 0pt; width: 200px;" /></a><br />
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<span style="color: #666666; font-weight: bold;">ASSISTANTE A LA MISE EN SCÈNE</span> ELISE BLACHÉ<br />
<span style="color: #666666; font-weight: bold;">LUMIÈRE</span> PASCALE BONGIOVANNI<br />
<span style="color: #666666; font-weight: bold;">COMPOSITION MUSICALE</span> JEAN MARC MONTERA<br />
<span style="color: #666666; font-weight: bold;">SON</span><span style="font-weight: bold;"> </span> JEAN-MICHEL CERDAN<br />
<span style="color: #666666; font-weight: bold;">COSTUMES</span> SABINE RICHAUD et NATHALIE ELBAZ<br />
<span style="color: #666666; font-weight: bold;">DIFFUSION </span>MATHIEU GRIZARD<br />
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<span style="color: #666666; font-weight: bold;">AVEC</span><br />
<span style="font-weight: bold;">EMMANUÈLE STOCHL</span>, Richard III, Duc de Gloucester<br />
<span style="font-weight: bold;">GERARD CHERQUI</span>, Meurtrier 1, le roi Edward IV, Catesby<br />
<span style="font-weight: bold;">PATRICK CONDÉ</span>, Buckingham, le geôlier<br />
<span style="font-weight: bold;">CATHERINE DUFLOT</span>, La Reine Elisabeth<br />
<span style="font-weight: bold;">FABRICE MICHEL</span>, Georges Duc de Clarence, Lord Rivers,<br />
le Lord Maire, Stanley<br />
<span style="font-weight: bold;">ISABELLE MIROVA</span>, la Duchesse de York, l’Evêque d’Ely<br />
<span style="font-weight: bold;">FRÉDÉRIC POINCEAU</span>, Lord Hastings, Meurtrier 2,<br />
Le Comte de Richmond<br />
<span style="font-weight: bold;">RAPHAËLE THIRIET</span>, la Princesse Elisabeth, Le Prince Edouard<br />
<span style="font-weight: bold;">MARIE VAYSSIÈRE</span>, Lady Ann, La Reine Margaret<br />
Et en alternance, les enfants dans le rôle du Prince de York<br />
<span style="font-weight: bold;">Lucas ARCAS, Pablo FILLIT, Marco VALLA</span><br />
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<span style="font-weight: bold;">PRODUCTION</span><br />
THÉÂTRE NATIONAL DE LA CRIÉE, Marseille<br />
COMPAGNIE IN PULVEREM REVERTERIS<br />
THEÂTRE DES BERNARDINES, Marseille<br />
THÉÂTRE ANTOINE VITEZ, Aix-en-Provence<br />
<span style="font-weight: bold;">REPRISE</span><br />
Théâtre de Nice, Centre Dramatique National<br />
Théâtre des Bernardines, Marseille<br />
Théâtre de Gennevilliers, Centre Dramatique National</div>
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<a href="https://viral-prod.com/workspaces/collectives/harbonn/dossiers/richard-iii/downloadFile/file/RICHARD_III?nocache=1225798138.69" style="color: #990000; font-weight: bold;">TÉLÉCHARGER DOSSIER COMPLET PDF</a><br />
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<span style="font-style: italic;">La tragédie Richard III mêlant le sublime et le grotesque, met à nu cette grande machine qu’est l’histoire et l’agissement politique des hommes à la fin de la guerre des deux roses.</span><br />
<span style="font-style: italic;">Malfaisant et difforme, résolu à devenir « un scélérat », Richard, Duc de Gloucester, annonce dès l’ouverture de la pièce, sa volonté absolue de se venger de la nature et d’accéder au pouvoir en supprimant tous les obstacles qui s’y opposent. Au-delà du bien et du mal, doté d’une intelligence machiavélique redoutable et profitant de la veulerie et de l’opportunisme d’autrui, Richard parvient à accéder au trône en usant de tous les stratagèmes, telle une araignée tissant sa toile. Complot, meurtre, séduction, infanticide, chasse aux sorcières et simulation de dévotion sont les outils pour parvenir au pouvoir. En usurpant le trône, Richard III transgresse toutes les lois et entraîne sa propre chute : la roue de la fortune tourne et le règne du monstre politique s’achève. Blessé mortellement par Richmond, futur Henry VII, sur le champ de bataille de Bosworth, il ne lui reste plus qu’à évaluer le fameux prix de sa quête politique et guerrière : « Un cheval ! Un cheval ! Mon royaume pour un cheval ! ».</span><br />
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<span style="font-style: italic;">« La violence possède une logique propre, un rythme, un mouvement irrésistible et destructeur. Ce n’est pas pour rien qu’on parle de mobilisation en temps de guerre. L’art dramatique a également ses périodes de mobilisation, et l’espace scénique enferme la violence dans son propre tourbillonnement. Les passions politiques sont suicidaires et sacrilèges. »</span><br />
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<span style="font-weight: bold;">Henri SUHAMY in Shakespeare</span></div>
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Un prince doit se faire craindre de manière que, s’il ne se fait point aimer, il ne soit point haï, ce qui n’est pas incompatible ; avec cette ferme résolution, il laissera les sujets posséder en sûreté leurs biens et leurs femmes. Que, s’il est obligé de répandre du sang, il n’en vienne jamais là sans véritables causes ni preuves manifestes, mais surtout, qu’il ne dépouille jamais personne de son bien, car on oublie beaucoup plus aisément la mort de son père que la perte de sa succession. D’ailleurs, un Prince qui a pris goût aux confiscations trouve toujours des occasions nouvelles ; mais quand il s’agit de répandre le sang, les prétextes en sont plus rares et plus difficiles à trouver.</div>
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<span style="font-weight: bold;">Machiavel, Le Prince, Chapitre XVII</span></div>
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RICHARD III sera fresque sanglante, une orchestration d’antithèses reflétant un monde hybride et cauchemardesque qui pourra ressembler à des tableaux de BOSCH, peintre flamand du XVIème siècle dénonçant l’humanité qui court à sa perte à travers des représentations satyriques, mystérieuses et inquiétantes : un monde qui fait apparaître les spectres et les hommes côte à côte, un monde des encore-vivants et des déjà-morts se frottant au pouvoir et aux autres comme la plupart de ceux qui veulent à tout prix arriver, et qui ont toutes les raisons de le désirer car sinon que restera-t-il d’eux ?<br />
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Va le monde, va, que la roue tourne, qu’on traverse le champ de bataille de l’altérité, pas d’Autre possible " I am myself alone ", voilà ce qu’il dit quand Richard parle de Richard, ce double et le même de lui-même, le pouvoir ne se partage pas et il vaut mieux crever que de céder, au moins on est sûr d’être quelqu’un.<br />
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Cette fresque de « têtes ravagées » comme dirait Liliane Giraudon et j’ai bien envie de donner ce sous-titre au travail de Richard III, cette fresque faite de rhétorique sanglante, de pensée machiavélique et de corps éclatés, sent l’odeur qui accompagne toute ascension au pouvoir à savoir l’odeur de la décomposition et de la pourriture.<br />
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Je pense plutôt que ça grouillera de mille bêtes qui viennent achever le travail de la rhétorique, des ténèbres qui se forment et déforment sous nos yeux, et ça prépare le terrain d’une réussite détachée de tous présupposés métaphysiques. Le principe de la mutabilité dans Richard III (historique, cosmique, idéologique et sémantique) constitue son moteur.<br />
Ce débordement permanent de sens et de sang transgresse toute idée d’œuvre fermée. Il s’agira donc d’une structure ouverte qui cherche à tenir compte de la pièce telle qu’elle est écrite tout en recherchant une forme de représentation mobile contraire à toute stabilité.<br />
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<div style="text-align: right;">
Angela KONRAD</div>
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<br /></div>inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.comtag:blogger.com,1999:blog-8244870534812896045.post-88527141476212305232008-08-20T06:54:00.000-07:002015-08-27T04:59:51.574-07:00Contact<div style="text-align: center;">
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inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-89437736551971887162008-08-20T06:10:00.000-07:002015-08-27T05:31:44.348-07:00Equipe Artistique<div class="MsoNormal">
<b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="color: #cccccc;">IN PULVEREM REVERTERIS</span></span></b></div>
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<b><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;">MATHIEU CIPRIANI, </span></span><span style="font-weight: normal;"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;">assistant</span></span></span></b></div>
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<b><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;">LAURA DEVOITIN , Régie générale</span></span></b><br />
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<span class="Apple-style-span" style="color: #f3f3f3; font-size: x-small; font-weight: bold; text-transform: uppercase;">OLIVE BERNARD</span></div>
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<span class="Apple-style-span" style="text-transform: uppercase;"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;"><b>PIERRICK BONJEAN</b></span></span></span></div>
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<span class="Apple-style-span" style="text-transform: uppercase;"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;"><b>YOHANN GOUJON</b></span></span></span></div>
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<span class="Apple-style-span" style="text-transform: uppercase;"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;"><b>PEGGY PENEAU</b></span></span></span></div>
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<span class="Apple-style-span" style="text-transform: uppercase;"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;"><b>CHARLOTTE RAMOND</b></span></span></span></div>
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<span class="Apple-style-span" style="text-transform: uppercase;"><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;"><b>AMANDINE THOMAZEAU</b></span></span></span></div>
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<span class="Apple-style-span" style="text-transform: uppercase;"><b><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;">MAURICE VINCON</span></span></b></span><br />
<span class="Apple-style-span" style="text-transform: uppercase;"><b><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="color: #f3f3f3;">GILLES LE MOHER</span></span></b></span></div>
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inpulveremreverterishttp://www.blogger.com/profile/11601440698545595147noreply@blogger.com0tag:blogger.com,1999:blog-8244870534812896045.post-57036565799089636452008-08-20T03:59:00.000-07:002015-08-27T02:59:07.022-07:00Historique<div style="text-align: justify;">
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<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"><br />HISTORIQUE<br /><br />La compagnie est fondée en 1980 par Danielle Bré qui monte et tourne 17 spectacles jusqu’en 1997<br /><br />1981/1982 : J'ai Mort de Joseph Joliet<br />1982/ 1983: Les gens déraisonnables sont en voie de disparition. P Handke<br />1982/ 1983: Grand et Petit de Botho Strauss<br />1983/1984: Palerme, Pignans, Port au Prince de N Voltz et D Bré<br />1985/ 1986 : Britannicus de Racine<br />1986: Les soirées de Pierre Angelici d'après 1993:Racine et Bataille;<br />1987: Les vagues de Virginia Woolf<br />1987/1988: Les Récits aigres-doux d'après Calvino et Manganelli<br />1998/1989 : "Et qui sait ce qu'un jour, ce fils peut entreprendre " Racine et quelques autres<br />1989/1990: Protocoles de Edoardo Sanguinetti<br />1990/1991:La métaphore du gisant d'après Beckett<br />1991/1992: Le Matériau Fleisser<br />1992/ 1993 : Purgatoire à Ingolstadt de Marieluise Fleisser<br />1993/1994: À présent, pour en finir avec la nostalgie : Botha Strauss, P Handke, J Baudrillard, JF Lyotard, M Blanchot, E Levinas.<br />1995: Un amour impossible de Giorgio Manganelli<br />1996/1997: Nous les héros de JL Lagarce<br />1996/9997 : Le petit cirque de Monsieur K d'après Kafka<br /><br />À partir de 1997 Danielle Bré ouvre le travail de la compagnie à d’anciens comédiens ou partenaires prenant une autonomie artistique. Il s’agissait de réagir à l’impasse de l’équation : un créateur = une cellule de production et de créer une cohérence de projets artistiques autour de thèmes collectifs ou de questions esthétiques communes.<br /><br /><b>Mises en scène de Danielle Bré après 1997</b><br /><br />1998/1999 : La vie de Galilée de Brecht<br />1999/ 2000 : Navigue mais soit net d’après Modèle Réduit de Danielle Mémoire<br />2001/2002 : Tokyo notes de Horiza Hirata<br />2005 : Joue le rôle de Pélagie Vlassova dans la Mère de Brecht<br />2005: L’Orage de d’Alexandre Ostrovski<br />2005 : Insupportable mais tranquille : Montage philosophique pour les classes moyennes<br />2008-2009 : « Des PaPis dans la tête » fugue théâtrale cubiste pour Pablo Picasso. <br />2010-2012 : La RéCréation d’après Robert Walser <br />2012/ 2013 : L’après-Midi de Mr Andesmas de Marguerite Duras <br />2013 : Une fée de Frédéric Boyer <br />2014/2015 : Randonnée en terres Beckettiennes autour de Samuel Beckett <br />2015 : L’Achat du cuivre de Bertold Brecht <br />2015/2016 : Le Carnet d’automne d’après les Tablettes de Buis d’Apronenia Avitia de Pascal Quignard </span></div>
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<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"><b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-size: small; font-weight: normal;"><br /></span><span class="Apple-style-span" style="font-size: small;">Mises en scène d’Angela Konrad après 1997 dans la compagnie</span></span></b><br /></span></div>
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<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;">1998 : Noli me tangere d’après le Pays lointain de Jean-Luc Lagarce<br />1999 : T. T. d’après Torquato Tasso de Goethe.<br />2000 : Tales and tears d’après Bond et Shakespeare.<br />2001 : Time is out of Join, part 1.<br />2001 : Baal ou interrelations des êtres vivants.<br />2002 : Time is out of Join part 2 : 2002<br />2002 : The wood began to move d’après Macbeth de Shakespeare .<br />2002 : Robert ou ce qu’il en reste dans le cadre d’Opening Nights 3.<br />2002 : More than Reality film de Culture fiction Décembre 2002<br />2004 /2005 : Richard III de Shakespeare<br />2006 : La Mère de B Brecht<br />2006 : Catherine for ever ,en collaboration avec Danielle Bertotto<br />2006 : Participation à l’exposition collective au Théâtre des Bernardines<br />2007 : Traumzeit d’après Paysage soue surveillance de Heiner Müller<br />2007 : Requiem pour un maître et son chien d’après Molière, Mozart et DG Gabilly<br /><br /><br /><h3 style="text-align: center;">
<span class="Apple-style-span" style="font-size: small; font-weight: normal;"><b><span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="font-size: 19px;"><span class="Apple-style-span" style="color: #990000;">Les orientations actuelles de la Compagnie</span></span></span><span class="Apple-style-span" style="color: #990000;"> </span></b></span></h3>
<br />L<b>a volonté d’une implication locale : </b>une politique de création inspirée par une volonté d’adresse compatible avec les nouveaux publics et par des opportunités de diffusion dans cette direction. Il s’agit de trouver l’espace où rendre positive la tension entre commande sociale et démarche artistique intime et originale, en prise avec les mutations contemporaines du théâtre. <br /><br /><br /><b>Un horizon d’adresse</b> : Nous sommes centrés sur une prise en compte de la sensibilité contemporaine. Nous sommes soucieux de proposer aux spectateurs un espace de reconnaissance mais aussi de nous tenir à distance des standards d’opinions et des constructions médiatiques en ayant recours à des fictions fortes et a des oeuvres fortes. <br /></span></div>
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<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"><br /><b>Une volonté de servir le théâtre et son histoire, </b>plutôt que de nous inscrire dans l’espace général de la Culture, un champ professionnel de plus en plus exclusivement soumis à une visé démocratique visant l’équilibre de la consommation des publics et l’adaptation à leurs goûts <br /><br /><br /><b>Une politique professionnelle adaptée à notre territoire d’implantation </b>et orientée sur un partenariat juste avec les lieux de diffusion mais aussi avec les acteurs, prenant acte de l’état actuel de leur métier et leur proposant aussi de vraies aventures artistiques <br /><br /><b>Une ligne artistique cohérente : </b><br /></span></div>
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<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;">1/ Continuer le travail de la compagnie sur les grandes écritures du 20eme siècle cherchant ce qu'elles inaugurent plutôt que ce qu'elles clôturent :</span><span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"><br /></span><blockquote class="webkit-indent-blockquote" style="border: none; margin: 0 0 0 40px; padding: 0px;">
<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;">-Les écritures contemporaines qui proposent aux spectateurs de nouvelles représentations de l'homme et de nouvelles identifications. </span></blockquote>
<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"><br /></span><blockquote class="webkit-indent-blockquote" style="border: none; margin: 0 0 0 40px; padding: 0px;">
<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;">-Les écritures contemporaines dont le geste d'écriture est, en soi, la matrice de l'action scénique à découvrir et à mettre en expérience sur le plateau. </span></blockquote>
<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"><br />2/Continuer à faire du théâtre un laboratoire de l'humain où l'acteur qui est au centre, met en expérience l'invivable de la littérature. <br /><br /><br />3/ Faire que le spectacle soit une expérience pour le spectateur et non la consommation d'un objet culturel : Expérience à la fois légère et fondamentale, où il éprouve en même temps la clarté de l’évidence accomplie et l'obscurité de l'inconnu. <br /><br />4/ Continuer à tenter de rendre compatible la recherche scénique et l'adresse au plus grand nombre, le devoir d'exigence et l'adaptation à tous les circuits possibles de diffusion et aux conditions locales de la création. <br /><br /><br /><div style="text-align: center;">
<b><span class="Apple-style-span" style="color: #990000;">Stratégie de Développement</span></b></div>
<br /><b>Notre compagnie est une compagnie déjà ancienne, d’audience principalement régionale</b> .De ce fait, malgré l’évaluation positive de son travail de création, elle ne peut pas être positionnée dans les courants d’émergence actuellement privilégiés par les institutions, qu’ils soient régionaux ou nationaux. Cela nous oblige à poursuivre principalement une valeur d’usage pour notre théâtre, en articulant recherche dramaturgique sur les écritures classiques ou contemporaines et adresse sensible aux spectateurs d’aujourd’hui, originalité artistique mais aussi solidarité avec une profession localement définie. <br /></span></div>
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<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"><br />Notre direction artistique, en la personne de Danielle Bré a aussi des responsabilités importantes dans la programmation du Théâtre Antoine Vitez à Aix-en-Provence. Celui-ci n’est absolument pas le lieu d’implantation principal de la compagnie. Il y a une absolue séparation entre le budget du théâtre et celui de la compagnie. Le Théâtre Vitez coproduit très rarement les spectacles de la compagnies et nous n’y répétons jamais. On ne peut donc pas nous considérer, comme on a tendance à le faire trop souvent, comme une compagnie gérant un lieu donc économiquement aidé par celui-ci. <br /><br />Nous ne sous situons pas ou plus dans la mouvance post-moderne du théâtre comme d’ailleurs la majorité du public. Nous continuons à penser que le texte et l’acteur dans leur rapport historique, qui est à réinterroger, sont au centre de l’art du théâtre. Nous pensons résolument Théâtre et pas Spectacle. <br /><br />Nous avons, d’autre part, mesuré combien le statut d’artiste associé ne résout pas grand chose quand à la survie des Compagnies de création. <br /><br />Notre développement ne tient nous semble-t-il qu‘à la pertinence de nos projets et à notre capacité à élargir notre circuit de diffusion : des salles de moyenne importance, dont l’identité de programmation rejoint la nôtre et avec qui mettre en place une vraie relation de coopération. <br />Economiquement cela veut dire qu’il est fondamental pour nous : </span></div>
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<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"><br />D<b>’être subventionnés au fonctionnement, avec un coût de structure minimum </b></span></div>
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<b><span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"></span></b><span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"><b>De gérer un budget nous permettant :</b></span></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: black;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"></span><span class="Apple-style-span" style="font-size: x-large;"><span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: black;"><span class="Apple-style-span" style="font-size: small;">D</span></span></span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: black;"><span class="Apple-style-span" style="font-size: small;">e travailler en amont nos
projets sur au moins deux ans : temps de travail rentabilisés par des
résidences favorisant l’engagement des partenaires ? présentations
versions intermédiaires. Préparation esthétique et travail de préparation de la diffusion</span></span></span></span></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: black;"><span class="Apple-style-span" style="font-size: small;"></span></span></span></span><span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;">De garder les spectacles au
répertoire pendant au minimum trois ans : Tournée des spectacles sur la
base des apports en achat.</span></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: black;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></span></span></div>
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<span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif;"></span><span class="Apple-style-span" style="font-size: x-large;"><span style="font: 7.0pt "Times New Roman";"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: black;"><span class="Apple-style-span" style="font-size: small;"> D</span></span></span></span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: black;"><span class="Apple-style-span" style="font-size: small;">e faire au moins une création
par saison</span></span></span></span></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif; font-size: small;"><br /></span></span></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><span class="Apple-style-span" style="color: black;"><span class="Apple-style-span" style="font-size: small;"></span></span></span></span><span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="color: black; font-family: Times, 'Times New Roman', serif; font-size: small;">De cumuler les créations de long
terme, au plus prés l’identité de la compagnie avec des formes plus légères
répondant à des commandes ou à des opportunités de projet. Cela nous permet la
diversification de nos circuits de diffusion, diversification qui n’est pas
néanmoins très facile.</span><span class="Apple-style-span" style="color: black; font-size: small;"><em><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"> <span class="Apple-style-span" style="font-style: normal;">Grâce à cette tension, nous cherchons :</span></span></em></span></span></div>
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À éviter la notion de style et l’enfermement dans un cercle de diffusion, étroit et peu ouvert, aussi le caractère mortifère de la liberté de l’art.</div>
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À éviter la vulgarisation et le formatage des créations par les destinataires et les risques liée à l’adaptation des artistes à la demande sociale.</div>
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</span><span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"><br /><i>La compagnie est conventionnée avec la ville de Marseille est aidée par la Ville d’Aix-en-Provence, le département 13 et selon les projets par la DRAC Paca et la Région PACA.<br /><br /><br />Elle a eu des coproductions régulières avec le Théâtre de la Criée CDN, Le CDN de Nice, le théâtre de Gennevilliers CDN, et plus récemment : Le Théâtre Antoine Vitez, Le 3 bis F lieu d’arts contemporains, le Théâtre des Bernardines, le Théâtre du Bois de l'Aune, Le théâtre de la Joliette -Minoterie, le Théâtre de Lenche. </i></span></span></div>
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